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[null,"1.","Record Nr.",null,"UNISA996396981003316"]
[null,null,"Autore",null,"Erasmus Desiderius <d. 1536.>"]
[null,null,"Titolo",null,"Epitome colloquiorum Erasmi [[electronic resource]] : continens in se communiores quotidiani sermones formulas, nunc denuo in puerorum vsum editas"]
[null,null,"Pubbl/distr/stampa",null,"Londini, : Ex typographia Societatis Stationariorum, 1608"]
[null,null,"Descrizione fisica",null,"[72] p"]
[null,null,"Lingua di pubblicazione",null,"Latino"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"Cum Priuilegio.\""]
[{"$nulls":4},"Signatures: A-D⁸ E⁴."]
[{"$nulls":4},"Reproduction of original in the St. John's College (University of Cambridge). Library."]
[null,null,null,"Sommario/riassunto","eebo-0203"]
[null,"2.","Record Nr.",null,"UNINA9910163007303321"]
[null,null,"Autore",null,"Dahlhaus Carl"]
[null,null,"Titolo",null,"Europäische Romantik in der Musik : Band 2: Oper und symphonischer Stil 1800–1850. Von E.T.A.Hoffmann zu Richard Wagner / / von Carl Dahlhaus, Norbert Miller"]
[null,null,"Pubbl/distr/stampa",null,"Stuttgart : , : J.B. Metzler : , : Imprint : J.B. Metzler, , 2007"]
[null,null,"ISBN",null,"3-476-00021-4"]
[null,null,"Edizione",null,"[1st ed. 2007.]"]
[null,null,"Descrizione fisica",null,"1 online resource (1,298 pages, 48 pages of plates) : illustrations"]
[null,null,"Disciplina",null,"781.6809409033"]
[null,null,"Soggetti",null,"Music"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"Mit 94 Abbildungen.\""]
[null,null,null,"Sommario/riassunto","Streifzug durch die Geschichte der Musik. Carl Dahlhaus und Norbert Miller erläutern, wie sich die traditionelle Opernform und der neue sinfonische Stil seit 1770 gegenseitig befruchten. Die Geschichte dieser Symbiose ist die Geschichte der klassisch-romantischen Musik als eine einheitliche Epoche. An ausgewählten Ereignissen werden die Umbrüche ebenso wie die kaum merkbaren Veränderungen sichtbar gemacht. Der zweite Band setzt in der Epochenmitte bei den Opern Webers und Spontinis ein. In Kapiteln über Rossinis Pariser Karriere, über Meyerbeer und die grand opéra, über Berlioz' und Schumanns Versuche einer \"Opéra de concert\" und über Verdis und Wagners musiktheatralische Neuerungen gehen die Autoren der Ästhetik der romantischen Oper und der Idee der symphonischen Dichtung auf den Grund."]