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[null,null,"Autore",null,"Muller Christine"]
[null,null,"Titolo",null,"September 11, 2001 as a Cultural Trauma : A Case Study through Popular Culture / / by Christine Muller"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017"]
[null,null,"ISBN",null,"9783319501550"]
[{"$nulls":4},"3319501550"]
[null,null,"Edizione",null,"[1st ed. 2017.]"]
[null,null,"Descrizione fisica",null,"1 online resource (XVI, 220 p.)"]
[null,null,"Disciplina",null,"302.23"]
[null,null,"Soggetti",null,"Communication"]
[{"$nulls":4},"Motion pictures, American"]
[{"$nulls":4},"Ethnology - America"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Collective memory"]
[{"$nulls":4},"America - Literatures"]
[{"$nulls":4},"Media and Communication"]
[{"$nulls":4},"American Film and TV"]
[{"$nulls":4},"American Culture"]
[{"$nulls":4},"Memory Studies"]
[{"$nulls":4},"North American Literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. Introduction: September 11, 2001, Cultural Trauma, and Popular Culture -- 2. Popular Press Oral Histories of September 11 -- 3. Limning the \"Howling Space\" of September 11 through Don DeLillo's Falling Man -- 4. The Crisis Fetish in Post-September 11 American Television -- 5. \"Nothing To Do with All Your Strength\": Power, Choice, and September 11 in The Dark Knight -- 6. Zero Dark Thirty and the Fantasy of Closure -- 7. Conclusion: Cultural Trauma: September 11, 2001 and Beyond."]
[null,null,null,"Sommario/riassunto","This book investigates the September 11, 2001 attacks as a case study of cultural trauma, as well as how the use of widely-distributed, easily-accessible forms of popular culture can similarly focalize evaluation of other moments of acute and profoundly troubling historical change. The attacks confounded the traditionally dominant narrative of the "]
[{"$nulls":4},"American Dream, which has persistently and pervasively featured optimism and belief in a just world that affirms and rewards self-determination. This shattering of a worldview fundamental to mainstream experience and cultural understanding in the United States has manifested as a cultural trauma throughout popular culture in the first decade of the twenty-first century. Popular press oral histories, literary fiction, television, and film are among the multiple, ubiquitous sites evidencing preoccupations with existential crisis, vulnerability, and moral ambivalence, with fate, no-win scenarios, and anti-heroes now pervading commonly-toldand readily-accessible stories. Christine Muller examines how popular culture affords sites for culturally-traumatic events to manifest and how readers, viewers, and other audiences negotiate their fallout."]