{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":18,"n_cols":5,"rows_kept":18,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[11,2,11,3],[13,2,13,3],[14,2,14,3],[17,2,17,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910162824303321"]
[null,null,"Autore",null,"Radner Hilary"]
[null,null,"Titolo",null,"The new woman's film : femme-centric movies for smart chicks / / Hilary Radner"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Routledge, , 2017"]
[null,null,"ISBN",null,"1-317-28647-2"]
[{"$nulls":4},"1-315-64359-6"]
[{"$nulls":4},"1-317-28648-0"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (224 pages)"]
[null,null,"Disciplina",null,"791.43/6522"]
[{"$nulls":4},"791.436522"]
[null,null,"Soggetti",null,"Women in motion pictures"]
[{"$nulls":4},"Motion pictures for women"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. After the woman's picture : the new woman's film and the chick flick -- 2. The new woman's film in the twenty-first century : the smart-chick film and Rachel getting married (Jonathan Demme, 2008) -- 3. Anticipating the twenty-first century : \"Dirty Harry bathed in a romantic glow?\" and The bridges of Madison Country (Clint Eastwood, 1995) -- 4. Nicole Holofcener as the American female auteur : \"keeping it real\" walking and talking (1996), Lovely & amazing (2002), Friends with money (2006) Please give (2010), Enough said (2013) -- 5. Stardom, celebrity and the new woman's film : Tilda Swinton and the maternal melodrama \"winning an Oscar was wasted on me\" -- 6. Oscars for women and the films of Woody Allen : Blue Jasmine (Woody Allen, 2013) -- 7. The girl crush : Frances Ha (Noah Baumbach, 2013), \"The toast of Telluride\" -- 8. Diversity, the female biopic and the new woman's film : Belle (Amma Asante, 2013) -- 9. A past with a future, the ongoing evolution of the new woman's film : From top of the lake (Sundance Channel, 2013) to Fifty shades of grey (Sam Taylor-Johnson, 2015)."]