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[null,"1.","Record Nr.",null,"UNINA9910463689203321"]
[null,null,"Autore",null,"Jefferson Thomas <1743-1826.>"]
[null,null,"Titolo",null,"The autobiography of Thomas Jefferson, 1743-1790 [[electronic resource] ] : together with a summary of the chief events in Jefferson's life / / edited by Paul Leicester Ford ; new introduction by Michael Zuckerman"]
[null,null,"Pubbl/distr/stampa",null,"Philadelphia, : University of Pennsylvania Press, 2005"]
[null,null,"ISBN",null,"1-283-89628-1"]
[{"$nulls":4},"0-8122-0010-1"]
[null,null,"Descrizione fisica",null,"1 online resource (201 p.)"]
[null,null,"Disciplina",null,"973.4/6/092"]
[{"$nulls":4},"B"]
[null,null,"Soggetti",null,"Presidents - United States"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Originally published: New York : G.P. Putnam's Sons, 1914. With new introd."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Introduction / Zuckerman, Michael -- Chief Events in Jefferson's Life -- The Autobiography of Thomas Jefferson, 1743-1790"]
[null,null,null,"Sommario/riassunto","In 1821, at the age of seventy-seven, Thomas Jefferson decided to \"state some recollections of dates and facts concerning myself.\" His ancestors, Jefferson writes, came to America from Wales in the early seventeenth century and settled in the Virginia colony. Jefferson's father, although uneducated, possessed a \"strong mind and sound judgement\" and raised his family in the far western frontier of the colony, an experience that contributed to his son's eventual staunch defense of individual and state rights. Jefferson attended the College of William and Mary, entered the law, and in 1775 was elected to represent Virginia at the Continental Congress in Philadelphia, an event that propelled him to all of his future political fortunes. Jefferson's autobiography continues through the entire Revolutionary War period, and his insights and information about persons, politics, and events-including the drafting of the Declaration of Independence, his service in France with Benjamin Franklin, and his observations on the French Revolution-are of immense value to both scholars and general readers. Jefferson ends this account of his life at the moment he returns to New "]
[{"$nulls":4},"York to become secretary of state in 1790.Complementing the other major autobiography of the period, Benjamin Franklin's, The Autobiography of Thomas Jefferson, reintroduced for this edition by historian Michael Zuckerman, gives us a glimpse into the private life and associations of one of America's most influential personalities. Alongside Jefferson's absorbing narrative of the way compromises were achieved at the Continental Congress are comments about his own health and day-to-day life that allow the reader to picture him more fully as a human being. Throughout, Jefferson states his opinions and ideas about many issues, including slavery, the death penalty, and taxation. Although Jefferson did not carry this autobiography further into his eventual presidency, the foundations for all of his thoughts are here, and it is in these pages that Jefferson lays out what to him was his most important contribution to his country, the creation of a democratic republic."]
[null,"2.","Record Nr.",null,"UNISA996218658703316"]
[null,null,"Titolo",null,"Physica status solidi Rapid research letters : PSS-RRL"]
[null,null,"Pubbl/distr/stampa",null,"Weinheim, : Wiley-VCH Verlag & Co. KGaA, ©2007-"]
[{"$nulls":4},"Berlin, Germany, : Wiley-VCH Verlag GmbH & Co. KGaA"]
[null,null,"ISSN",null,"1862-6270"]
[null,null,"Soggetti",null,"Solid state physics"]
[{"$nulls":4},"Physique de l'état solide"]
[{"$nulls":4},"Periodical"]
[{"$nulls":4},"periodicals."]
[{"$nulls":4},"Periodicals."]
[{"$nulls":4},"Périodiques."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Periodico"]
[null,null,null,"Note generali","Refereed/Peer-reviewed"]
[{"$nulls":4},"Title from table of contents screen (Wiley InterScience; viewed: 3/3/2007)."]
[{"$nulls":4},"Some issues have special themes."]
[null,"3.","Record Nr.",null,"UNINA9910160765603321"]
[null,null,"Autore",null,"Lehmann Hauke <1981->"]
[null,null,"Titolo",null,"Affektpoetiken des New Hollywood : Suspense, Paranoia und Melancholie / / Hauke Lehmann"]
[null,null,"Pubbl/distr/stampa",null,"Berlin/Boston, : De Gruyter, 2016"]
[{"$nulls":4},"Berlin ; ; Boston : , : De Gruyter, , [2016]"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"9783110488739"]
[{"$nulls":4},"3110488736"]
[{"$nulls":4},"9783110488760"]
[{"$nulls":4},"3110488760"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (383 pages)"]
[null,null,"Collana",null,"Cinepoetics ; ; 2."]
[null,null,"Classificazione",null,"AP 59783"]
[null,null,"Disciplina",null,"791.43019"]
[null,null,"Soggetti",null,"Affekt"]
[{"$nulls":4},"Film history/ in the USA"]
[{"$nulls":4},"Filmgeschichte/US-amerikanisch"]
[{"$nulls":4},"Zeitlichkeit"]
[{"$nulls":4},"affect"]
[{"$nulls":4},"temporality"]
[{"$nulls":4},"Melancholie"]
[{"$nulls":4},"Film"]
[{"$nulls":4},"Rezeption"]
[{"$nulls":4},"Zuschauer"]
[{"$nulls":4},"Spannung"]
[{"$nulls":4},"Gefühl"]
[{"$nulls":4},"Ästhetik"]
[{"$nulls":4},"Paranoia"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Inhalt -- Danksagung -- 1. Die Aufspaltung des Zuschauers -- 2. Suspense: Formen filmischen Denkens -- 3. Paranoia: Formen der Mediatisierung -- 4. Melancholie: Formen des Geschichtsempfindens -- 5. Die Entstehung eines Stils: Zur Theorie und Poetik der Figur -- 6. Schluss -- Abbildungsverzeichnis -- Literaturverzeichnis -- Namenregister -- Filmregister -- Sachregister "]
[{"$nulls":4},"-- Farbabbildungen"]
[null,null,null,"Sommario/riassunto","Woran bindet sich die Emotion des Zuschauers im Kino? Und wie lässt sich eine Geschichte dieser Bindung schreiben? Mit Blick auf diese Fragen konzipiert die Arbeit von Hauke Lehmann die filmhistorische Periode des New Hollywood als einen Moment der Krise, der sich weder auf ökonomisch bedingte Anpassungsprozesse noch auf eine Ansammlung von Meisterwerken reduzieren lässt. Vielmehr gelangt in der detaillierten Analyse repräsentativer Filme die Kraft filmischer Bilder in den Blick, ihre Zuschauer zu affizieren: sie mit dem Neuen zu konfrontieren. Die Filme des New Hollywood vermessen das Feld der alten poetischen Einteilungen - wie es sich im klassischen Genresystem manifestiert - radikal neu und verändern dadurch die Art und Weise, wie die Zuschauer im Kino emotional adressiert werden. Die Arbeit beschreibt ein komplexes Zusammenspiel dreier filmischer Modi von Affektivität - Suspense, Paranoia und Melancholie - welche die Zuschauer auf je besondere Weise in die Widersprüche ihrer emotionalen Weltbezüge verwickeln. Auf dieser theoretischen Grundlage entwirft die Arbeit das Projekt einer Neukonzeption von Filmgeschichte: als eine Geschichte des Fühlens, die sich bis in die Gegenwart neu schreiben lässt."]