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[null,"1.","Record Nr.",null,"UNINA9910437773003321"]
[null,null,"Titolo",null,"Complex automated negotiations : theories, models, and software competitions / / Takayuki Ito ... [et al.] (eds.)"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; New York, : Springer, c2013"]
[null,null,"ISBN",null,"9783642307379"]
[{"$nulls":4},"364230737X"]
[null,null,"Edizione",null,"[1st ed. 2013.]"]
[null,null,"Descrizione fisica",null,"1 online resource (XVI, 244 p.)"]
[null,null,"Collana",null,"Studies in computational intelligence, , 1860-949X ; ; 435"]
[null,null,"Disciplina",null,"006.3"]
[null,null,"Soggetti",null,"Intelligent agents (Computer software)"]
[{"$nulls":4},"Mobile agents (Computer software)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,null,"Sommario/riassunto","Complex Automated Negotiations are a widely studied, emerging area in the field of Autonomous Agents and Multi-Agent Systems. In general, automated negotiations can be complex, since there are a lot of factors that characterize such negotiations. For this book, we solicited papers on all aspects of such complex automated negotiations, which are studied in the field of Autonomous Agents and Multi-Agent Systems. This book includes two parts, which are Part I: Agent-based Complex Automated Negotiations and Part II: Automated Negotiation Agents Competition. Each chapter in Part I is an extended version of ACAN 2011 papers after peer reviews by three PC members. Part II includes ANAC 2011 (The Second Automated Negotiating Agents Competition), in which automated agents who have different negotiation strategies and implemented by different developers are automatically negotiate in the several negotiation domains. ANAC is an international competition in which automated negotiation strategies, submitted by a number of universities and research institutes across the world, are evaluated in a tournament style. The purpose of the competition is to steer the research in the area of bilateral multi-issue, closed negotiation. This book includes rules, results, agents and domains descriptions for ANAC2011 submitted by organizers and finalists."]
[null,"2.","Record Nr.",null,"UNINA9910160765603321"]
[null,null,"Autore",null,"Lehmann Hauke <1981->"]
[null,null,"Titolo",null,"Affektpoetiken des New Hollywood : Suspense, Paranoia und Melancholie / / Hauke Lehmann"]
[null,null,"Pubbl/distr/stampa",null,"Berlin/Boston, : De Gruyter, 2016"]
[{"$nulls":4},"Berlin ; ; Boston : , : De Gruyter, , [2016]"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"9783110488739"]
[{"$nulls":4},"3110488736"]
[{"$nulls":4},"9783110488760"]
[{"$nulls":4},"3110488760"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (383 pages)"]
[null,null,"Collana",null,"Cinepoetics ; ; 2."]
[null,null,"Classificazione",null,"AP 59783"]
[null,null,"Disciplina",null,"791.43019"]
[null,null,"Soggetti",null,"Affekt"]
[{"$nulls":4},"Film history/ in the USA"]
[{"$nulls":4},"Filmgeschichte/US-amerikanisch"]
[{"$nulls":4},"Zeitlichkeit"]
[{"$nulls":4},"affect"]
[{"$nulls":4},"temporality"]
[{"$nulls":4},"Melancholie"]
[{"$nulls":4},"Film"]
[{"$nulls":4},"Rezeption"]
[{"$nulls":4},"Zuschauer"]
[{"$nulls":4},"Spannung"]
[{"$nulls":4},"Gefühl"]
[{"$nulls":4},"Ästhetik"]
[{"$nulls":4},"Paranoia"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Inhalt -- Danksagung -- 1. Die Aufspaltung des Zuschauers -- 2. Suspense: Formen filmischen Denkens -- 3. Paranoia: Formen der Mediatisierung -- 4. Melancholie: Formen des Geschichtsempfindens -- 5. Die Entstehung eines Stils: Zur Theorie und Poetik der Figur -- 6. Schluss -- Abbildungsverzeichnis -- Literaturverzeichnis -- Namenregister -- Filmregister -- Sachregister "]
[{"$nulls":4},"-- Farbabbildungen"]
[null,null,null,"Sommario/riassunto","Woran bindet sich die Emotion des Zuschauers im Kino? Und wie lässt sich eine Geschichte dieser Bindung schreiben? Mit Blick auf diese Fragen konzipiert die Arbeit von Hauke Lehmann die filmhistorische Periode des New Hollywood als einen Moment der Krise, der sich weder auf ökonomisch bedingte Anpassungsprozesse noch auf eine Ansammlung von Meisterwerken reduzieren lässt. Vielmehr gelangt in der detaillierten Analyse repräsentativer Filme die Kraft filmischer Bilder in den Blick, ihre Zuschauer zu affizieren: sie mit dem Neuen zu konfrontieren. Die Filme des New Hollywood vermessen das Feld der alten poetischen Einteilungen - wie es sich im klassischen Genresystem manifestiert - radikal neu und verändern dadurch die Art und Weise, wie die Zuschauer im Kino emotional adressiert werden. Die Arbeit beschreibt ein komplexes Zusammenspiel dreier filmischer Modi von Affektivität - Suspense, Paranoia und Melancholie - welche die Zuschauer auf je besondere Weise in die Widersprüche ihrer emotionalen Weltbezüge verwickeln. Auf dieser theoretischen Grundlage entwirft die Arbeit das Projekt einer Neukonzeption von Filmgeschichte: als eine Geschichte des Fühlens, die sich bis in die Gegenwart neu schreiben lässt."]