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[null,"1.","Record Nr.",null,"UNISALENTO991001947689707536"]
[null,null,"Autore",null,"Chartier, Alain"]
[null,null,"Titolo",null,"La belle dame sans mercy et les poesies lyriques / edition publiee par Arthur Piaget ; lexique etabli par R.-L. Wagner"]
[null,null,"Pubbl/distr/stampa",null,"Geneve : Droz, 1949"]
[null,null,"Edizione",null,"[2. éd.]"]
[null,null,"Descrizione fisica",null,"130 p."]
[null,null,"Disciplina",null,"841"]
[null,null,"Soggetti",null,"Poesia lirica francese"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910157841603321"]
[null,null,"Autore",null,"Carver Beci"]
[null,null,"Titolo",null,"Granular modernism"]
[null,null,"Pubbl/distr/stampa",null,"Oxford : , : Oxford University Press, , 2014"]
[null,null,"ISBN",null,"0-19-178019-7"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Classificazione",null,"18.05"]
[{"$nulls":4},"18.06"]
[null,null,"Disciplina",null,"810/820"]
[null,null,"Soggetti",null,"Modernism (Literature) - History and criticism - 20th century"]
[{"$nulls":4},"English literature"]
[{"$nulls":4},"English"]
[{"$nulls":4},"Languages & Literatures"]
[{"$nulls":4},"English Literature"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: granular modernism -- Conrad's roving eye -- Wasting time in Herhardie, Waugh, and Green -- Miscellany in Eliot and Auden -- Waste management in Beckett's Watt -- Conclusion: against the grain."]
[null,null,null,"Sommario/riassunto","'Granular Modernism' understands the way that some Modernist texts put themselves together as a way of pulling themselves apart. It proposes that rather than trying to find the shapes of narrative or argument in their writing, the 'Granular Modernists' - namely, Joseph Conrad, William Gerhardie, Evelyn Waugh, Henry Green, T. S. Eliot, W. H. Auden, and Samuel Beckett - experiment in certain of their works in finding the shapelessness of a moment in history that increasingly confidently called itself 'modern', which was to call itself shapeless."]