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[null,"1.","Record Nr.",null,"UNISA990001030300203316"]
[null,null,"Titolo",null,"La rivoluzione commerciale : cambiamenti e prospettive del sistema distributivo in Italia / Enrico Beltramini ... [et al.] ; a cura di Enrico Pedretti"]
[null,null,"Pubbl/distr/stampa",null,"Milano : Fendac servizi, 1995"]
[null,null,"ISBN",null,"88-86260-06-7"]
[null,null,"Descrizione fisica",null,"XIII, 194 p. ; 21 cm"]
[null,null,"Collana",null,"Collana di management Fendac"]
[null,null,"Disciplina",null,"381.0945"]
[null,null,"Soggetti",null,"Aziende commerciali"]
[{"$nulls":4},"Merci - Distribuzione"]
[null,null,"Collocazione",null,"381.094 RIV 1 (IRA 6 691)"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910156518203321"]
[null,null,"Autore",null,"Williams Maggie M"]
[null,null,"Titolo",null,"Walk on the Beach: Things from the Sea, Volume 1 . Volume 1 / edited by Maggie M. Williams and Karen Overbey . Volume 1"]
[null,null,"Pubbl/distr/stampa",null,"Brooklyn, NY, : punctum books, 2016"]
[{"$nulls":4},"Baltimore, Maryland : , : Project Muse, , 2020"]
[{"$nulls":4},"©2020"]
[null,null,"Descrizione fisica",null,"1 online resource (60 unnumbered pages) : illustrations (in colour); PDF, digital file(s)"]
[null,null,"Soggetti",null,"Bathing beaches"]
[{"$nulls":4},"Beachcombing"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","We began with conversations about the sea. We meditated together on chance, discovery, agency, beauty, and material ecology. We talked about the delicate care of treading the world, the confluence of the personal and the professional, and the possibilities of storytelling. We thought about what happens when we encounter stuff, when we take it, change it, do something with it. When we display it, or sculpt it, or collect it. When we make something an object, and an object of looking.Then we met on the beach. We walked and talked about loss, home, agency, and liminality. We collected things: We picked up stones, feathers, seaweed. We pointed to stuff, gathered it, let it strike our fancy. Every shell nurtured a conversation among the artists, scientists, historians, poets, archivists, surfers, philosophers, and pirates who had joined the walk. We brought the sea-things back, manipulated them, and displayed them as works of art. Walk on the Beach is a souvenir of that project, a record of our bounty. It emerges from the process at the heart of art historical work: close looking. Thinking through objects, thinking with objects. Letting the things help us tell their stories."]