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[null,"1.","Record Nr.",null,"UNINA9910456826603321"]
[null,null,"Autore",null,"Brown Blain"]
[null,null,"Titolo",null,"Cinematography [[electronic resource] ] : theory and practice : imagemaking for cinematographers and directors / / Blain Brown"]
[null,null,"Pubbl/distr/stampa",null,"Burlington, Mass., : Focal Press, 2012"]
[null,null,"ISBN",null,"1-283-16394-2"]
[{"$nulls":4},"9786613163943"]
[{"$nulls":4},"0-08-095895-8"]
[null,null,"Edizione",null,"[2nd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (385 p.)"]
[null,null,"Disciplina",null,"778.5"]
[null,null,"Soggetti",null,"Cinematography"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"FrontCover; Cinematography: Theory andPractice; Copyright Page; Contents; Introduction; Writing withMotion; We Don't Need No Stinkin' Rules; The Scope of this Book; Titles and Terminology; Writing with Motion; The [Conceptual] Tools of Cinematography; Putting It All Together; ShootingMethods; What Is Cinematic?; The Frame; Cinema as a Language; The ShootingMethods; Involvingthe Audience: POV; VisualLanguage; More Than Just aPicture; Forces ofVisual Organization; Miscellaneous Rules ofComposition; Language of theLens; The Lens and theFrame; Image Control at theLens; VisualStorytelling"]
[{"$nulls":4},"VisualMetaphorLighting asStorytelling; Light as VisualMetaphor; CinematicContinuity; Shooting forEditing; The PrimeDirective; ScreenDirection; Turnaround; PlanningCoverage; Other Issues inContinuity; Introductions; Other Editorial Issuesin Shooting; The Six Typesof Cuts; LightingBasics; The Fundamentals ofLighting; Some LightingTerminology; Aspectsof Light; Basic LightingTechniques; MotivatedLight; DayExteriors; Lighting For High DefVideo; LightingSources; The Tools ofLighting; DaylightSources; Xenons; TungstenLights; PARs; SoftLights; Color-CorrectFluorescents; Other Types ofUnits"]
[{"$nulls":4},"DayExteriorsFor More Informationon Lighting; HDCinematography; High Def and StandardDef; Analog and DigitalVideo; Types of VideoSensors; DigitalVideo; ShootingFormats; DigitalCompression; Monitoringon the set; The Waveform Monitor andVectorscope; VideoLatitude; The Digital "]
[{"$nulls":4},"Intermediate(DI); The VideoSignal; SDI; Setting upa Color Monitor; Camera WhiteBalance; Digital VideoEncoding; Is It BroadcastQuality?; Do It in the Camera or inPost?; Timecode andEdgecode; TimecodeSlating; TapelessProduction; Digital FileTypes; Compression andCodecs; MPEG; TheCurve; Controlling the HDImage; Exposure"]
[{"$nulls":4},"Exposure:The Easy WayLightas Energy; F/Stops; Exposure, ISO, and LightingRelationships; Light andFilm; Densitometry; BrightnessPerception; Contrast; DeterminingExposure; VideoExposure; TheTools; The ZoneSystem; The GrayScale; Exposure and theCamera; CameraMovement; Motivation and InvisibleTechnique; Types ofMoves; MovingShots; CameraMounting; The CrabDolly; Cranes; CarShots; AerialShots; Other Typesof Camera Mounts; MotionControl; Color; Colorin Visual Storytelling; Light andColor; The ColorWheel; ColorModels; ControllingColor; Color Balance with Gels andFilters; Correcting Off-ColorLights"]
[{"$nulls":4},"ImageControlColorPrinting; Controlling Color andContrast; LookupTables; Camera FilterTypes; Color Temperature andFiltration; Contrast Controlin Black-and-White; Controlling theLook of your Project; Image Controlwith the Camera; Optics &Focus; Physical Basisof Optics; Focus; Depth-of-field; Macrophotography; Close-UpTools; LensCare; Lens adapters forVideo; SetOperations; The ShotList; The Directorof Photography; TheTeam; SlatingTechnique; TimecodeSlates; SetProcedures; TechnicalIssues; Flicker; Filming PracticalMonitors; Shooting ProcessPhotography; Dimmers; Working withStrobes"]
[{"$nulls":4},"High-SpeedPhotography"]
[null,null,null,"Sommario/riassunto","There's more to being a DP than holdng a light meter! With this book as your guide, you are on your way to learning not only about the equipment and technology, but also about the concepts and thought processes that will enable you to shoot professionally, efficiently, and with artistic mastery. A leading book in the field, Cinematography has been translated into many languages and is a staple at the world's top film schools. Lavishly produced and illustrated, it covers the entire range of the profession. The book is not just a comprehensive guide to current professional practice; it"]
[null,"2.","Record Nr.",null,"UNISALENTO991001659319707536"]
[null,null,"Autore",null,"Resta Piccioli, Giuseppe"]
[null,null,"Titolo",null,"Per una corretta gestione delle aree protette : il caso del Salento / Giuseppe Piccioli Resta"]
[null,null,"Pubbl/distr/stampa",null,"[Catania] : Sezione di geografia, Dipartimento di scienze umane, Università di Catania, 2002"]
[null,null,"Descrizione fisica",null,"15 p. : ill. ; 24 cm."]
[null,null,"Disciplina",null,"719.3"]
[null,null,"Soggetti",null,"Aree protette - Salento"]
[null,null,"Lingua di pubblicazione",null,"Non definito"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Estr. da: Quaderni del Dipartimento di scienze umane, Sezione di geografia, Università degli studi di Catania (2002)"]
[null,"3.","Record Nr.",null,"UNINA9910155740703321"]
[null,null,"Autore",null,"Kemper Bitsy"]
[null,null,"Titolo",null,"Earning Income"]
[null,null,"Pubbl/distr/stampa",null,"Lerner"]
[null,null,"ISBN",null,"1-5124-4776-5"]
[null,null,"Descrizione fisica",null,"1 online resource (40 p.)"]
[null,null,"Disciplina",null,"339.2/2"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Musica"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Audisee® eBooks with Audio combine professional narration and text highlighting to engage reluctant readers! Most people earn income by working at jobs. However, jobs are not the only way to make money. People receive money as gifts, by selling something they make or own, and by investing. But did you know people don't get to keep all of the income they earn? From allowances and salaries to paying taxes, read this book to learn more about income."]