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[null,"1.","Record Nr.",null,"UNINA9910619170703321"]
[null,null,"Titolo",null,"WESCON/58 Conference Record"]
[null,null,"Lingua di pubblicazione",null,"Non definito"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Periodico"]
[null,"2.","Record Nr.",null,"UNINA9910155505303321"]
[null,null,"Autore",null,"Shaw George Bernard"]
[null,null,"Titolo",null,"Pygmalion"]
[null,null,"Pubbl/distr/stampa",null,"Sheba Blake Publishing, 2013"]
[null,null,"ISBN",null,"1-304-46845-3"]
[null,null,"Descrizione fisica",null,"1 online resource (303 p.)"]
[null,null,"Soggetti",null,"Social classes in literature"]
[{"$nulls":4},"Women's rights in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Sommario/riassunto","George Bernard Shaw's Pygmalion: A Romance in Five Acts (1912) is one of greatest comic masterpieces of the 20th century. It's hard now to imagine how a play about a phonetics expert who decides to convert an uneducated Cockney flower girl into a high society lady would have been controversial. It does take jabs at the British social hierarchy and women's independence, all packaged up as a neat comic play. Shaw originally staged Pygmalion as a translation in Vienna, hoping to generate a buzz for his work outside the purview of British critics. When the play was a hit, English audiences and cr"]