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[null,"1.","Record Nr.",null,"UNINA9910808928203321"]
[null,null,"Autore",null,"Abel Mark <1948->"]
[null,null,"Titolo",null,"Groove : an aesthetic of measured time / / Mark Abel"]
[null,null,"Pubbl/distr/stampa",null,"Leiden, Netherlands : , : Brill, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"90-04-24294-5"]
[null,null,"Descrizione fisica",null,"1 online resource (283 p.)"]
[null,null,"Collana",null,"Historical Materialism Book Series, , 1570-1522 ; ; Volume 73"]
[null,null,"Disciplina",null,"781.2/2"]
[null,null,"Soggetti",null,"Musical meter and rhythm"]
[{"$nulls":4},"Music - Philosophy and aesthetics"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Introduction: The Meaning of Musical Time -- 1 What is ‘groove’? -- 2 Is Groove African? -- 3 Bergsonism and Unmeasurable Time -- 4 Schutz’s ‘Vivid Present’ and the Social Time of Music -- 5 Adorno and Reified Time -- 6 Meter, Groove and the Times of Capitalism -- 7 History, Modernism, and the Time of Music -- References -- Index."]
[null,null,null,"Sommario/riassunto","What is the relationship between music and time? How does musical rhythm express our social experience of time? In Groove: An Aesthetic of Measured Time , Mark Abel explains the rise to prominence in Western music of a new way of organising rhythm: groove. He provides a historical account of its emergence around the turn of the twentieth century, and analyses the musical components which make it work. Tracing the influence of key philosophical arguments about the nature of time on musical aesthetics, Mark Abel draws on materialist interpretations of art and culture to challenge those, like Adorno, who criticise popular music’s metrical regularity. He concludes that groove does not simply reflect the temporality of contemporary society, but, by incorporating abstract time into its very structure, is capable of effecting a critique of it."]
[null,"2.","Record Nr.",null,"UNINA9910816952503321"]
[null,null,"Titolo",null,"Audiovisual translation : theoretical and methodological challenges / / edited by Yves Gambier and Sara Ramos Pinto"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam : , : John Benjamins Publishing Company, , [2018]"]
[{"$nulls":4},"©2018"]
[null,null,"Descrizione fisica",null,"1 online resource (154 pages)"]
[null,null,"Collana",null,"Benjamins Current Topics ; ; 95"]
[null,null,"Classificazione",null,"32.32.24"]
[null,null,"Disciplina",null,"418.02071"]
[null,null,"Soggetti",null,"Translating and interpreting - Study and teaching"]
[{"$nulls":4},"translation"]
[{"$nulls":4},"linguistics"]
[{"$nulls":4},"audiovisual document"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Descriptive translation studies of audiovisual translation: 21st-century issues, challenges and opportunities / Alexandra Assis Rosa -- Machine translation quality in an audiovisual context / Aljoscha Burchardt, Arle Lommel, Lindsay Bywood, Kim Harris and Maja Popovic -- The multimodal approach in audiovisual translation / Christopher Taylor -- Action research: So much to account for / Josélia Neves -- From Translation Studies and audiovisual translation to media accessibility: Some research trends / Aline Remael, Nina Reviers and Reinhild Vandekerckhove -- Imagined spectators: The importance of policy for audiovisual translation research / Carol O'Sullivan -- Psycholinguistics and audiovisual translation / Jan-Louis Kruger -- Cross-cultural pragmatics and audiovisual translation / Marie-Noëlle Guillot -- The importance of being relevant? A cognitive-pragmatic framework for conceptualising audiovisual translation / Sabine Braun -- The \"engendering\" approach in audiovisual translation / Marcella De Marco."]
[null,null,null,"Sommario/riassunto","\"The exponential growth of Audiovisual Translation (AVT) in the last three decades has consolidated its place as an area of study within Translation Studies (TS). However, AVT is still a young domain currently exploring a number of different lines of inquiry without a specific methodological and theoretical framework. This volume discusses the advantages and drawbacks of ten approaches to AVT and highlights the "]
[{"$nulls":4},"potential avenues opened up by new methods. Our aim is to jumpstart the discussion on the (in)adequacy of the methodologies imported from other disciplines and the need (or not) for a conceptual apparatus and framework of analysis specific to AVT. This collective work relates to recent edited volumes that seek to take stock on research in AVT, but it distinguishes itself from those publications by promoting links in what is now a very fragmented field\"--"]
[null,"3.","Record Nr.",null,"UNINA9910154981903321"]
[null,null,"Titolo",null,"Art markets in Europe, 1400-1800 / / edited by Michael North and David Ormrod"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 2016"]
[null,null,"ISBN",null,"1-315-26210-X"]
[null,null,"Descrizione fisica",null,"1 online resource (263 pages) : illustrations"]
[null,null,"Disciplina",null,"709/.02/4"]
[null,null,"Soggetti",null,"Art - Europe - Marketing"]
[{"$nulls":4},"Art, European - 15th century"]
[{"$nulls":4},"Art, European - 16th century"]
[{"$nulls":4},"Art - Collectors and collecting - Europe - History - 15th century"]
[{"$nulls":4},"Art - Collectors and collecting - Europe - History - 16th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","First published 1998 by Ashgate Publishing."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"ch. 1. Manuscript acquisition by the Burgundian Court and the market for books in the fifteenth-century Netherlands / Wim Blockmans -- ch. 2. Some aspects of the origins of the art market in fifteenth-century Bruges / Maximiliaan P.J. Martens -- ch. 3. Is art a barometer of wealth? Medieval art exports to the far north of Europe / Jan von Bonsdorff -- ch. 4. Artistic enterprise and Spanish patronage : the art market during the reign of Isabel of Castile (1474-1504) / Mari-Tere Alvarez -- ch. 5. The Italian Renaissance Courts' demand for the arts : the case of d'Este  of Ferrara (1471-1560) / Guido Guerzoni -- ch. 6. The Roman art market in the sixteenth and seventeenth centuries / Volker Reinhardt -- ch. 7. The upper German trade in art and curiosities before the Thirty Years War / Renate Pieper -- ch. 8. Pricing the unpriced : how Dutch seventeenth-century painters determined the selling price of their work / Marten Jan Bok -- ch. 9. Dealer-dealer pricing in the mid seventeenth-century Antwerp to Paris art trade / Neil De Marchi, Hans J. Van Miegroet and Matthew E. Raiff -- ch. 10. Probate inventories, public sales and the Parisian art market in the seventeenth century / Antoine Schnapper -- ch. 11. : Art auctions in Germany during the eighteenth century / Thomas Ketelsen -- ch. 12. Arenas of connoisseurship : auctioning art in later Stuart England / Brian Cowan -- ch. 13. The origins of the London art market, 1660-1730 / David Ormrod -- ch. 14. Commerce and the commodity : graphic display and "]
[{"$nulls":4},"selling new consumer goods in eighteenth-century England / Maxine Berg and Helen Clifford -- ch. 15. Intrigue, jewellery and economics : court culture and display in England and France in the 1780s / Marcia Pointon."]
[null,null,null,"Sommario/riassunto","The reinvention of art-history during the 1980s has provided a serious challenge to the earlier formalist and connoisseurial approaches to the discipline, in ways which can only help economic and social historians in the current drive to study past societies in terms of what they consumed, produced, perceived and imagined. This group of essays focuses on three main issues: the demand for art, including the range of art objects purchased by various social groups; the conditions of artistic creativity and communication between different production centres and artistic millieux; and the emergence of art markets which served to link the first two phenomena. The work draws on new research by art historians and economic and social historians from Europe and the United States, and covers the period from the late Middle Ages to the early nineteenth century."]