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[null,"1.","Record Nr.",null,"UNINA9910459826403321"]
[null,null,"Autore",null,"Scott Ellen C."]
[null,null,"Titolo",null,"Cinema civil rights : regulation, repression, and race in the classical hollywood era / / Ellen C. Scott"]
[null,null,"Pubbl/distr/stampa",null,"New Brunswick, New Jersey ; ; London, [England] : , : Rutgers University Press, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"0-8135-7137-5"]
[null,null,"Descrizione fisica",null,"1 online resource (268 p.)"]
[null,null,"Classificazione",null,"AP 44983"]
[null,null,"Disciplina",null,"791.436520396073"]
[null,null,"Soggetti",null,"African Americans in motion pictures"]
[{"$nulls":4},"Racism in motion pictures"]
[{"$nulls":4},"Stereotypes (Social psychology) in motion pictures"]
[{"$nulls":4},"African Americans in the motion picture industry - History - 20th century"]
[{"$nulls":4},"African American political activists - History - 20th century"]
[{"$nulls":4},"African Americans - Civil rights - History - 20th century"]
[{"$nulls":4},"Motion pictures - United States - History - 20th century"]
[{"$nulls":4},"Motion pictures industry - United States - History - 20th century"]
[{"$nulls":4},"Motion pictures - Censorship - United States - History - 20th century"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Regulating Race, Structuring Absence: Industry Self-Censorship And African American Representability -- 2. State Censorship And The Color Line -- 3. Racial Trauma, Civil Rights, And The Brutal Imagination Of Darryl F. Zanuck -- 4. Shadowboxing: Black Interpretive Activism In The Classical Hollywood Era -- Conclusion -- Notes -- Index -- About The Author"]
[null,null,null,"Sommario/riassunto","From Al Jolson in blackface to Song of the South, there is a long history of racism in Hollywood film. Yet as early as the 1930's, movie studios carefully vetted their releases, removing racially offensive language like the \"N-word.\" This censorship did not stem from purely humanitarian concerns, but rather from worries about boycotts from civil rights groups and loss of revenue from African American filmgoers. Cinema "]
[{"$nulls":4},"Civil Rights presents the untold history of how Black audiences, activists, and lobbyists influenced the representation of race in Hollywood in the decades before the 1960's civil rights era. Employing a nuanced analysis of power, Ellen C. Scott reveals how these representations were shaped by a complex set of negotiations between various individuals and organizations. Rather than simply recounting the perspective of film studios, she calls our attention to a variety of other influential institutions, from protest groups to state censorship boards. Scott demonstrates not only how civil rights debates helped shaped the movies, but also how the movies themselves provided a vital public forum for addressing taboo subjects like interracial sexuality, segregation, and lynching. Emotionally gripping, theoretically sophisticated, and meticulously researched, Cinema Civil Rights presents us with an in-depth look at the film industry's role in both articulating and censoring the national conversation on race."]
[null,"2.","Record Nr.",null,"UNISA990000974510203316"]
[null,null,"Autore",null,"ZAGANELLI, Gioia"]
[null,null,"Titolo",null,"Aimer, sofrir, joir : i paradigmi della soggettività nella lirica francese dei secoli XII e XIII / Gioia Zaganelli"]
[null,null,"Pubbl/distr/stampa",null,"Firenze, : La nuova Italia, 1982"]
[null,null,"Descrizione fisica",null,"302 p ; 21 cm"]
[null,null,"Collana",null,"Pubblicazioni della Facoltà di magistero / Università di Bologna , N. S"]
[null,null,"Disciplina",null,"841.109"]
[null,null,"Soggetti",null,"Poesia lirica francese - Sec. 12.-13"]
[null,null,"Collocazione",null,"VI.4.B. 506(II f C 436)"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNISA996496564103316"]
[null,null,"Titolo",null,"Rechte des Körpers : Juristische, philosophische und theologische Perspektiven / / hrsg. von Florian Priesemuth, Michael Frey, Christian Berger"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; Boston : , : De Gruyter, , [2022]"]
[{"$nulls":4},"©2022"]
[null,null,"ISBN",null,"3-11-078498-X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (V, 157 p.)"]
[null,null,"Soggetti",null,"RELIGION / General"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Inhalt -- Einleitung -- Rechte des Körpers? Antworten des Rechts auf Anfragen der Philosophie -- Der Leib und das Recht -- Ein Recht gegen das Recht. Der Körper des Rechts und die Grenzen des Eigentums -- Abstrakte Körper. Die Leere des Rechts -- Welche Rechte für welche Körper? -- Der Körper als Erscheinung der Rechtsperson -- Norm und Abweichung. Sexualethische Diskurse im Protestantismus der Gegenwart -- Recht auf Suizid? Gesetzgebung und -interpretation im Urteilen -- Autonomie des Leibes -- Personenregister"]
[null,null,null,"Sommario/riassunto","Der Band fragt nach der Rolle des Körpers im Recht. Vertreter:innen der Philosophie, Theologie und Rechtswissenschaft untersuchen ein vielseitiges und komplexes Spektrum an Fragen, die sich aus dem Verhältnis der Begriffe „Recht\" und „Körper\" ergeben. In welcher rechtlichen Gestalt tritt ein (menschliches) Rechtssubjekt als Körper auf? Wie wird seine Körperlichkeit vom Recht erfasst, geschützt und normativ bestimmt und gestaltet? Was unterscheidet aus einer rechtlichen Perspektive den menschlichen vom tierischen Körper? Kann der menschliche Körper als Eigentum verstanden werden oder gehorcht er einer fundamental anderen Logik?"]
[{"$nulls":4},"The volume asks about the role of the body in law. Representatives of philosophy, theology, and jurisprudence examine the physical, material, or natural (pre-)conditions of law, which law does not cover or covers only to a degree."]
[null,"4.","Record Nr.",null,"UNINA9910154966903321"]
[null,null,"Autore",null,"Ivakhiv Adrian J"]
[null,null,"Titolo",null,"Ecologies of the Moving Image [[electronic resource] ] : Cinema, Affect, Nature / / Adrian J. Ivakhiv"]
[null,null,"Pubbl/distr/stampa",null,"Waterloo, Ontario, Canada : , : Wilfrid Laurier University Press, , [2013]"]
[{"$nulls":4},"©2013"]
[{"$nulls":4},"Beaconsfield, Quebec : , : Canadian Electronic Library, , 2013"]
[null,null,"ISBN",null,"1-55458-906-1"]
[null,null,"Descrizione fisica",null,"1 online resource (418 p.)"]
[null,null,"Collana",null,"Environmental humanities series"]
[null,null,"Disciplina",null,"791.4366"]
[null,null,"Soggetti",null,"Motion pictures - Philosophy"]
[{"$nulls":4},"Motion pictures - Psychological aspects"]
[{"$nulls":4},"Motion pictures - Social aspects"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: Journey into the zone of cinema -- Ecology, morphology, semiosis: A process-relational account of the cinema -- Territory: The geomorphology of the visible -- Encounter: First contact, utopia, and the becoming of another -- Anima Moralia: Journeys across frontiers -- Terra and trauma: The geopolitics of the real -- Afterword: Digital futures in a biosemiotic world."]
[null,null,null,"Sommario/riassunto","\"Moving images take us on mental and emotional journeys, over the course of which we and our worlds undergo change. This is the premise of Ecologies of the Moving Image, which accounts for the ways cinematic moving images move viewers in ways that reshape our understanding of ourselves, of life, and of the Earth and universe. This book presents an ecophilosophy of the cinema: an account of the moving image in relation to its lived ecologies--the material, social, and perceptual relations within which movies are produced, consumed, and incorporated into cultural life. Cinema, Adrian Ivakhiv argues, lures us into its worlds, but those worlds are grounded in a material and communicative Earth that supports them, even if that supporting materiality withdraws from visibility. Ivakhiv examines the geographies, visualities, and anthropologies--relations of here and there, seer and seen, us and them, human and inhuman--found across a range of styles and genres, from ethnographic and wildlife documentaries to "]
[{"$nulls":4},"westerns and road movies, and from sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Greenaway, Malick, Dash, and Brakhage as well as YouTube's expanding audiovisual universe. Through its process-relational account of cinema, drawn from philosophers such as Whitehead, Peirce, and Deleuze, the book boldly enriches our understanding of film and visual media.\"--Publisher's website."]
[null,"5.","Record Nr.",null,"UNISA996205114903316"]
[null,null,"Titolo",null,"Journal of the American Mathematical Society"]
[null,null,"Pubbl/distr/stampa",null,"[Providence, R.I.], : The Society"]
[null,null,"ISSN",null,"1088-6834"]
[null,null,"Disciplina",null,"510"]
[null,null,"Soggetti",null,"Mathematics"]
[{"$nulls":4},"Mathématique"]
[{"$nulls":4},"Czasopismo matematyczne"]
[{"$nulls":4},"Periodicals."]
[{"$nulls":4},"Ressource Internet (Descripteur de forme)"]
[{"$nulls":4},"Périodique électronique (Descripteur de forme)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Periodico"]
[null,null,null,"Note generali","Refereed/Peer-reviewed"]