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[null,"1.","Record Nr.",null,"UNINA9910154725903321"]
[null,null,"Autore",null,"Stout Daniel"]
[null,null,"Titolo",null,"Corporate Romanticism : Liberalism, Justice, and the Novel / / Daniel M. Stout"]
[null,null,"Pubbl/distr/stampa",null,"Baltimore, Maryland : , : Project Muse, , 2016"]
[{"$nulls":4},"Baltimore, Md. : , : Project MUSE, , 2017"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"0-8232-7227-3"]
[{"$nulls":4},"0-8232-7228-1"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (264 pages)"]
[null,null,"Collana",null,"Lit Z"]
[null,null,"Disciplina",null,"823.809"]
[null,null,"Soggetti",null,"English literature - 19th century - History and criticism"]
[{"$nulls":4},"Liberalism in literature"]
[{"$nulls":4},"Juristic persons"]
[{"$nulls":4},"Individualism in literature"]
[{"$nulls":4},"Corporations in literature"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Issued as part of book collections on Project MUSE."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages [231]-248) and index."]
[null,null,"Nota di contenuto",null,"Introduction : personification and its discontents -- 1. The pursuit of guilty things : corporate actors, collective actions, and romantic abstraction -- 2. The one and the manor : on being, doing, and deserving in Mansfield Park -- 3. Castes of exception : tradition and the public sphere in The private memoirs and confessions of a justified sinner -- 4. Nothing personal : the decapitations of character in A tale of two cities -- 5. Not world enough : easement, externality, and the edges of justice (Caleb Williams) -- Epilogue : everything counts (Frankenstein)."]
[null,null,null,"Sommario/riassunto","Corporate Romanticism offers an alternative history of the connections between modernity, individualism, and the novel. In early nineteenth-century England, two developments-the rise of corporate persons and the expanded scale of industrial action-undermined the basic assumption underpinning both liberalism and the law: that individual human persons can be meaningfully correlated with specific actions and particular effects. Reading works by Godwin, Austen, Hogg, Mary Shelley, and Dickens alongside a wide-ranging set of debates in "]
[{"$nulls":4},"nineteenth-century law and Romantic politics and aesthetics, Daniel Stout argues that the novel, a literary form long understood as a reflection of individualism's ideological ascent, in fact registered the fragile fictionality of accountable individuals in a period defined by corporate actors and expansively entangled fields of action. Examining how liberalism, the law, and the novel all wrestled with the moral implications of a highly collectivized and densely packed modernity, Corporate Romanticism reconfigures our sense of the nineteenth century and its novels, arguing that we see in them not simply the apotheosis of laissez-fair individualism but the first chapter of a crucial and distinctly modern problem about how to fit the individualist and humanist terms of justice onto a world in which the most consequential agents are no longer persons."]