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[null,"1.","Record Nr.",null,"UNINA9910154708403321"]
[null,null,"Autore",null,"Hillman Roger"]
[null,null,"Titolo",null,"Unsettling Scores [[electronic resource] ] : German Film, Music, and Ideology / / Roger Hillman"]
[null,null,"Pubbl/distr/stampa",null,"Bloomington, Indiana ; ; Indianapolis, [Indiana] : , : Indiana University Press, , 2005"]
[{"$nulls":4},"©2005"]
[null,null,"ISBN",null,"0-253-02836-1"]
[null,null,"Descrizione fisica",null,"1 online resource (233 pages) : illustrations"]
[null,null,"Disciplina",null,"791.4302/4"]
[null,null,"Soggetti",null,"National socialism and motion pictures"]
[{"$nulls":4},"Motion picture music - Germany - History and criticism"]
[{"$nulls":4},"Motion pictures and music - Germany"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 199-212) and index."]
[null,null,"Nota di contenuto",null,"Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack : the example of Beethoven's Ninth -- A Wagnerian German requiem : Syberberg's Hitler (1977) -- Alexander Kluge's Songs without words : Die Patriotin (1979) -- Fassbinder's compromised request concert : Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords : Austrian music and Visconti's Senso (1954) -- Conclusion : film music and cultural memory."]