{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":41,"n_cols":5,"rows_kept":41,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[12,2,12,3],[14,2,14,3],[15,2,15,3],[15,4,15,5],[16,2,16,3],[16,4,16,5],[17,2,17,3],[17,4,17,5],[18,2,18,3],[19,2,19,3],[21,2,21,3],[22,2,22,3],[23,2,23,3],[24,2,24,3],[35,2,35,3],[36,2,36,3],[38,2,38,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910154690203321"]
[null,null,"Autore",null,"Krečič Jela"]
[null,null,"Titolo",null,"None like her / / Jela Krecic ; translated from the Slovene by Olivia Hellewell"]
[null,null,"Pubbl/distr/stampa",null,"London, [England] : , : Peter Owen Publishers, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"0-7206-1917-3"]
[{"$nulls":4},"0-7206-1915-7"]
[null,null,"Descrizione fisica",null,"1 online resource (199 pages)"]
[null,null,"Collana",null,"World Series Season 1 : Slovenia"]
[null,null,"Disciplina",null,"823.914"]
[null,null,"Soggetti",null,"Man-woman relationships"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontcover -- Title -- Contents -- A Note on Slovene Pronunciation -- None Like Her -- Saša -- Brigita -- Poker Queens on New Year's Eve -- Katja -- Saša -- Maria -- Suzana -- Stela -- Mini -- The Journey to Jajce -- Melita -- Nada -- Kat and the Three Horsemen of the Apocalypse -- Ronja -- Sara -- Gabi and the Priest -- All Together Again -- Brigita on Hvar -- Copyright."]
[null,"2.","Record Nr.",null,"UNINA9910483233003321"]
[null,null,"Autore",null,"Hallett Christine E"]
[null,null,"Titolo",null,"Edith Cavell and her Legend / / by Christine E. Hallett"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Pivot, , 2019"]
[null,null,"ISBN",null,"9781137543714"]
[{"$nulls":4},"113754371X"]
[null,null,"Edizione",null,"[1st ed. 2019.]"]
[null,null,"Descrizione fisica",null,"1 online resource (141 pages)"]
[null,null,"Disciplina",null,"610.73069"]
[null,null,"Soggetti",null,"Social history"]
[{"$nulls":4},"Great Britain - History"]
[{"$nulls":4},"Military history"]
[{"$nulls":4},"Civilization - History"]
[{"$nulls":4},"Feminism"]
[{"$nulls":4},"Feminist theory"]
[{"$nulls":4},"Social History"]
[{"$nulls":4},"History of Britain and Ireland"]
[{"$nulls":4},"Military History"]
[{"$nulls":4},"Cultural History"]
[{"$nulls":4},"Feminism and Feminist Theory"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Chapter One: Introduction: Faces of Edith Cavell -- Chapter Two: Edith Cavell: Her Life and Her Death -- Chapter Three: Interleaving Stories -- Chapter Four: Legend -- Chapter Five: Conclusion."]
[null,null,null,"Sommario/riassunto","This book examines the myriad identities and portrayals of Edith Cavell, as they have been constructed and handed down by propagandists, biographers and artists. Cavell was first introduced to the British public through a series of Foreign Office statements which claimed to establish the “facts” of her case. Her own voice, along with those of her family, colleagues and friends, were muted, as a monolithic image of a national heroine and martyr emerged. The book identifies two main areas of tension in her commemoration: firstly, the contrast between complexity of her own behaviour and motivations and the simplicity of the “Cavell Legend” that was constructed around her; and, secondly, the mismatch between the attempts of individuals and professional organisations to commemorate her life and work, and the public "]
[{"$nulls":4},"construction of a “heroine” who could be of value to the nation state."]