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[null,"1.","Record Nr.",null,"UNINA9910154686003321"]
[null,null,"Autore",null,"Tye Michael"]
[null,null,"Titolo",null,"Tense bees and shell-shocked crabs : are animals conscious? / / Michael Tye"]
[null,null,"Pubbl/distr/stampa",null,"New York, NY : , : Oxford University Press, , 2016"]
[null,null,"ISBN",null,"0-19-027803-X"]
[{"$nulls":4},"0-19-027804-8"]
[{"$nulls":4},"0-19-027802-1"]
[null,null,"Descrizione fisica",null,"1 online resource  (xvii, 231 pages) : illustrations (black and white)"]
[null,null,"Disciplina",null,"591.5"]
[null,null,"Soggetti",null,"Consciousness in animals"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,null,"Sommario/riassunto","What is it like 'on the inside' for nonhuman animals? Do they feel anything? Most people happily accept that dogs, for example, share many experiences and feelings with us. But what about simpler creatures? Fish? Honeybees? Crabs? Turning to the artificial realm, what about robots? This work presents answers to these questions."]
[null,"2.","Record Nr.",null,"UNINA9910815278103321"]
[null,null,"Autore",null,"Sadler Donna L"]
[null,null,"Titolo",null,"Touching the Passion--seeing late medieval altarpieces through the eyes of faith / / by Donna L. Sadler"]
[null,null,"Pubbl/distr/stampa",null,"Leiden ; ; Boston : , : Brill, , 2018"]
[null,null,"ISBN",null,"90-04-36437-4"]
[null,null,"Descrizione fisica",null,"1 online resource (xvi, 255 pages) : illustrations"]
[null,null,"Collana",null,"Brill's studies on art, art history, and intellectual history ; ; v. 26"]
[{"$nulls":4},"Brill's studies in intellectual history, , 0920-8607 ; ; v. 279"]
[null,null,"Disciplina",null,"247/.1"]
[null,null,"Soggetti",null,"Public worship - History"]
[{"$nulls":4},"Altarpieces, Medieval"]
[{"$nulls":4},"Church history - Middle Ages, 600-1500"]
[{"$nulls":4},"Faith"]
[{"$nulls":4},"Church history - Middle Ages"]
[{"$nulls":4},"Passion of Jesus Christ"]
[{"$nulls":4},"Public worship"]
[{"$nulls":4},"Art."]
[{"$nulls":4},"History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front Matter -- Copyright page -- -- Acknowledgements -- List of Illustrations -- Coming to Terms with the Late Medieval Altarpiece -- A Tale of Two Retables from the Benedictine Monastery of Crisenon in the Musée-Abbaye Saint-Germain, Auxerre -- The Aesthetics of Immersion: The Reception of the Retable by the Worshipers -- Engagement with the Pathos of the Passion -- The Role of the Frame -- Epilogue: The Late Medieval Altarpiece as House of Memory."]
[null,null,null,"Sommario/riassunto","In Touching the Passion - Seeing Late Medieval Altarpieces through the Eyes of Faith , Donna Sadler explores the manner in which worshipers responded to the carved and polychromed retables adorning the altars of their parish churches. Framed by the symbolic death of Christ re-enacted during the Mass, the historical account of the Passion on the retable situated Christ's suffering and triumph over death in the present. The dramatic gestures, contemporary garb, and wealth of anecdotal detail on the altarpiece, invited the viewer's absorption in the narrative. As in the Imitatio Christi , the worshiper imaginatively "]
[{"$nulls":4},"projected himself into the story like a child before a dollhouse. The five senses, the sculptural medium, the small scale, and the rhetoric of memory foster this immersion."]