{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":29,"n_cols":5,"rows_kept":29,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[11,2,11,3],[12,2,12,3],[15,2,15,3],[15,4,15,5],[16,2,16,3],[16,4,16,5],[17,2,17,3],[17,4,17,5],[18,2,18,3],[20,2,20,3],[21,2,21,3],[22,2,22,3],[24,2,24,3],[25,2,25,3],[27,2,27,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910502595803321"]
[null,null,"Autore",null,"Dournel Sylvain"]
[null,null,"Titolo",null,"Les masques de Saint-John Perse / / Sylvain Dournel"]
[null,null,"Pubbl/distr/stampa",null,"Aix-en-Provence, : Presses universitaires de Provence, 2021"]
[null,null,"ISBN",null,"979-1-03-657718-5"]
[null,null,"Descrizione fisica",null,"1 online resource (294 p.)"]
[null,null,"Collana",null,"Textuelles"]
[null,null,"Soggetti",null,"Poetry"]
[{"$nulls":4},"poète"]
[{"$nulls":4},"mystère"]
[{"$nulls":4},"Nobel"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","«  Et ceux qui l’auront vu passer diront  : qui fut cet homme et quelle, sa demeure  ?  » Significativement posée au terme de l’ambitieux parcours proposé par les Œuvres complètes, la question consacre la politique du mystère menée par un auteur qui a inlassablement multiplié les écrans entre son être social, le diplomate Alexis Leger, et son double littéraire, le hiératique Saint-John Perse, lauréat du Prix Nobel de littérature en 1960. Bien plus qu’un simple nom de plume, cette signature auctoriale inaugure un système figuratif complexe, une galerie de personnages qu’il s’agit ici, au plus près d’un texte souvent présumé hermétique, de mettre en lumière. De l’Enfant à l’Amant, de l’Exilé au Prince, du Songeur au Conquérant, les masques du poète disent une présence au monde singulière, sensible, transgressive et d’une exigence rare. Acte de naissance d’un mythe, celui de «  l’homme au masque d’or  », ils lui offrent une condition d’existence  ; une voix, un corps, des gestes, une éthique. Le masque ici ne travestit plus le faussaire, ne trahit plus le mystificateur, autant de malentendus dont ne s’est pas toujours exemptée la réception de l’œuvre  ; envisagé dans le plein champ de son évidence au poème il fait signe, révèle et fonde une unité, pour devenir - autoportrait tout autant qu’autogenèse - un poste d’observation particulièrement avancé de la fabrique de Saint-John Perse."]
[null,"2.","Record Nr.",null,"UNINA9910154663603321"]
[null,null,"Autore",null,"Krzhizhanovsky Sigizmund"]
[null,null,"Titolo",null,"The Return of Munchausen"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : New York Review Books, , 2016"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"1-68137-029-8"]
[null,null,"Descrizione fisica",null,"1 online resource (151 pages)"]
[null,null,"Disciplina",null,"891.73/42"]
[{"$nulls":4},"891.7342"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Every baron has his flights of fancy -- Smoke that roars -- Kant's coeval -- In partes infidelium -- The devil in a droshky -- The theory of improbability -- The hermit of Bodenwerder -- The truth that ducked the man."]
[null,null,null,"Sommario/riassunto","Baron Munchausen's hold on the European imagination dates back to the late eighteenth century when he first pulled himself (and his horse) out of a swamp by his own upturned pigtail. Inspired by the extravagant yarns of a straight-faced former cavalry officer, Hieronymus von Münchhausen, the best-selling legend quickly eclipsed the real-life baron who helped the Russians fight the Turks. Galloping across continents and centuries, the mythical Munchausen's Travels went through hundreds of editions of increasing length and luxuriance. Sigizmund Krzhizhanovsky, the Russian modernist master of the unsettling and the uncanny, also took certain liberties with the mythical baron. In this phantasmagoric roman à clef set in 1920s Berlin, London, and Moscow, Munchausen dauntlessly upholds his old motto \"Truth in lies,\" while remaining a fierce champion of his own imagination. At the same time, the two-hundred-year-old baron and self-taught philosopher has agreed to return to Russia, Lenin's Russia, undercover. This reluctant secret agent has come out of retirement to engage with the real world."]