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[null,"1.","Record Nr.",null,"UNINA9910154637703321"]
[null,null,"Autore",null,"Nichols Aidan"]
[null,null,"Titolo",null,"All Great Art is Praise : Art and Religion in John Ruskin / / Aidan Nichols, OP"]
[null,null,"Pubbl/distr/stampa",null,"Washington, District of Columbia : , : The Catholic University of America Press, , [2016]"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"0-8132-2893-X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (632 pages)"]
[null,null,"Disciplina",null,"828/.809"]
[null,null,"Soggetti",null,"Art and religion"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Paradise and madness: John Ruskin's life -- Turner and truth: Modern painters I -- Beauty and the imagination: Modern painters II -- The seven lamps of architecture -- Pre-Raphaelitism and the Edinburgh lectures -- Building blocks: The stones of Venice I -- Byzantium and the goths: The stones of Venice II -- The trouble with the Renaissance: The stones of Venice III -- Return to Venice -- The varieties of art: Modern painters III -- Depicting the cosmos: Modern painters IV -- The rose and the worm: Modern painters V -- The political economy of art and other critical matters -- University with a difference: the Oxford lectures -- From Tuscany to the Somme -- Back to England again -- Conclusion: final public letters, last look at a life."]
[null,null,null,"Sommario/riassunto","The volume looks especially closely at Ruskin's changing attitudes to Catholicism.The son of a stoutly Bible-Protestant mother and a father politically opposed to the civil emancipation of Catholics, Ruskin found it increasingly difficult to combine his inherited anti-Catholicism with his appreciation of Byzantine-Venetian, Renaissance-humanist."]