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[null,"1.","Record Nr.",null,"UNINA9910154281703321"]
[null,null,"Autore",null,"Haran Barnaby"]
[null,null,"Titolo",null,"Watching the red dawn : the American avant-garde and the Soviet Union / / Barnaby Haran [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Manchester : , : Manchester University Press, , 2016"]
[null,null,"ISBN",null,"1-78499-812-5"]
[{"$nulls":4},"1-5261-0970-0"]
[null,null,"Descrizione fisica",null,"1 online resource : illustrations (black and white)"]
[null,null,"Disciplina",null,"700.4110947"]
[null,null,"Soggetti",null,"Avant-garde (Aesthetics) - Soviet Union"]
[{"$nulls":4},"Avant-garde (Aesthetics) - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Previously issued in print: 2016."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,null,"Sommario/riassunto","This title provides an examination of the cultural relations of the American and Soviet avant-gardes in a period of major transformation. From the formation of the USSR in 1922 until its recognition by the American government, American avant-garde artists, writers and designers watched the 'Red Dawn' with fascination, enthusiastically reporting on its post-revolutionary cultural developments in articles and books, and brought these works to an American audience in ground-breaking exhibitions. Americans also emulated and adapted aspects of Soviet culture, as in the case of the New Playwrights Theatre, a group that mixed Russian avant-garde theatrical techniques with jazz, vaudeville and slapstick comedy in plays about strikes and racial injustice."]