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[null,"1.","Record Nr.",null,"UNINA9910153310303321"]
[null,null,"Autore",null,"Le Houerou"]
[null,null,"Titolo",null,"Filmer Les Refugies: Cinema D'enquete, Etudes Visuelles Et Subjectivite Assumee - Documentaires, Films Ethnographiques, Ethno-Fictions Ou Ego-Fictions ?"]
[null,null,"Pubbl/distr/stampa",null,"Editions L'Harmattan"]
[null,null,"ISBN",null,"2-336-76920-4"]
[{"$nulls":4},"2-14-001684-X"]
[null,null,"Descrizione fisica",null,"1 online resource (294 p.)"]
[null,null,"Collana",null,"Mondes en mouvement"]
[null,null,"Soggetti",null,"Documentary films - History and criticism"]
[{"$nulls":4},"Ethnographic films - History and criticism"]
[{"$nulls":4},"Refugees in motion pictures"]
[{"$nulls":4},"Subjectivity in motion pictures"]
[{"$nulls":4},"Ethnologists - France"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Le Cinema d'enquete, qui est a la croisee de toutes les sciences sociales, se distingue par un reel travail scientifique. Neanmoins, l'auteure, qui interroge sa propre production cinematographique, elabore une theorie de l'authenticite des etudes visuelles qui se fonde sur une subjectivite assumee. L'affectivite, par exemple, en n'evitant pas les paradoxes et les contradictions, est une posture intellectuelle et esthetique centrale. Au-dela de ces reflexions theoriques, la chercheuse revient sur son travail de cineaste : films ethnographiques, films de genre, ethno-fictions, ou tout simplement films d'enquete ?"]