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[null,"1.","Record Nr.",null,"UNINA9910150280303321"]
[null,null,"Titolo",null,"Les Processus De Reception Et De Creation Des Oeuvres D'art: Approches a La Premiere Et a La Troisieme Personnes"]
[null,null,"Pubbl/distr/stampa",null,"Editions L'Harmattan"]
[null,null,"ISBN",null,"2-14-001451-0"]
[null,null,"Descrizione fisica",null,"1 online resource (192 p.)"]
[null,null,"Collana",null,"Ouverture Philosophique"]
[null,null,"Soggetti",null,"Psychology and art"]
[{"$nulls":4},"Art - Psychology"]
[{"$nulls":4},"Creation (Literary, artistic, etc.) - Philosophy"]
[{"$nulls":4},"Cognition"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Cet ouvrage est ecrit a quatre mains et porte sur la relation entre creation artistique et sciences de la cognition. L'ouvrage propose deux approches de l'experience esthetique. Une approche en troisieme personne mobilisant des modeles propres aux systemes dits auto-organisateurs issus de la biologie dediee a la reception des A uvres d'art et une approche en premiere personne rendant compte par auto-analyse d'une pratique artistique vecue qui s'appuie egalement sur de tels systemes, systemes eux-memes lies aux concepts d'emergence et de complexite."]