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[null,"1.","Record Nr.",null,"UNINA9910149528003321"]
[null,null,"Autore",null,"Mattiussi Laurent"]
[null,null,"Titolo",null,"Mallarmé et la Chine"]
[null,null,"Pubbl/distr/stampa",null,"[Place of publication not identified], : L'Harmattan, 2015"]
[null,null,"ISBN",null,"2-336-39237-2"]
[{"$nulls":4},"2-336-74248-9"]
[null,null,"Descrizione fisica",null,"1 online resource (272 pages)"]
[null,null,"Collana",null,"L'univers esthâetique Mallarmâe et la Chine"]
[null,null,"Soggetti",null,"Art, Chinese - China"]
[{"$nulls":4},"French Literature"]
[{"$nulls":4},"Romance Literatures"]
[{"$nulls":4},"Languages & Literatures"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Sommario/riassunto","Mallarmé s'est donné pour modèle d'artiste idéal le peintre chinois, qui incarne tout son projet esthétique. Pour lui, tous les arts visent le nec plus ultra de la figuration esthétique : \"une ligne fine, comme tracée à l'encre de Chine\". La prééminence du blanc, du vide et du silence est au coeur de la méditation esthétique du poète et trouve ses échos dans la culture chinoise, faisant de Mallarmé un précurseur en Europe de l'idée que l'art offre une vision d'autant plus riche et parlante à l'imagination qu'elle est raréfiée, simplifiée."]