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[null,"1.","Record Nr.",null,"UNINA9910143581903321"]
[null,null,"Autore",null,"Hunt R. W. G (Robert William Gainer), <1923->"]
[null,null,"Titolo",null,"The reproduction of colour [[electronic resource] /] / R.W.G. Hunt"]
[null,null,"Pubbl/distr/stampa",null,"Chichester, West Sussex, England ; ; Hoboken, NJ, : John Wiley & Sons, c2004"]
[null,null,"ISBN",null,"1-280-26883-2"]
[{"$nulls":4},"9786610268832"]
[{"$nulls":4},"0-470-02427-5"]
[{"$nulls":4},"0-470-02426-7"]
[null,null,"Edizione",null,"[6th ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (726 p.)"]
[null,null,"Collana",null,"Wiley-IS&T series in imaging science and technology"]
[null,null,"Disciplina",null,"778.6"]
[null,null,"Soggetti",null,"Color photography"]
[{"$nulls":4},"Color television"]
[{"$nulls":4},"Color printing"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"The Reproduction of Colour; Contents; Series Preface; Preface to the Sixth Edition; PART ONE FUNDAMENTALS; 1 Spectral Colour Reproduction; 1.1 Introduction; 1.2 The spectrum; 1.3 The micro-dispersion method of colour photography; 1.4 The Lippmann method; 1.5 Use of identical dyes; 1.6 Approximate spectral colour reproduction; 1.7 A simplified approach; 2 Trichromatic Colour Reproduction and the Additive Principle; 2.1 Introduction; 2.2 Maxwell's method; 2.3 The physiology of human colour vision; 2.4 Spectral sensitivity curves of the retina; 2.5 Unwanted stimulations; 3 Additive Methods"]
[{"$nulls":4},"3.1 Introduction3.2 The successive frame method; 3.3 The mosaic method; 3.4 The lenticular method; 3.5 The virtual-image method; 3.6 The diffraction method; 3.7 Errors in additive methods; 4 The Subtractive Principle; 4.1 Introduction; 4.2 The subtractive principle; 4.3 Defects of the subtractive principle; 5 Visual Appreciation; 5.1 Introduction; 5.2 The basis of judgement; 5.3 Variations of hue; 5.4 Variations of lightness; 5.5 Variations of colourfulness; 5.6 Priorities; 5.7 Factors affecting apparent colour balance; 5.8 Integrating to grey; 5.9 The perception of depth; 6 Tone Reproduction"]
[{"$nulls":4},"6.1 Introduction6.2 Identical viewing conditions; 6.3 Characteristic "]
[{"$nulls":4},"curves; 6.4 Different luminance levels; 6.5 Different surround conditions; 6.6 Complications with solid objects; 6.7 Comparisons of transparencies and reflection prints; 6.8 Colourfulness; 6.9 Exposure latitude; 6.10 Tone reproduction in duplicating; 6.11 Tone reproduction in television; 6.12 Lighting geometry; 6.13 Conclusions; 7 The Colour Triangle; 7.1 Introduction; 7.2 Colour terminology; 7.3 Trichromatic matching; 7.4 Colour-matching functions; 7.5 The colour triangle; 7.6 The centre of gravity law"]
[{"$nulls":4},"7.7 Other colour triangles7.8 Additive colour reproduction; 7.9 The Ives-Abney-Yule compromise; 7.10 Colour gamuts of reflecting and transmitting colours; 7.11 Two-colour reproductions; 8 Colour Standards and Calculations; 8.1 Introduction; 8.2 Standard illuminants; 8.3 The Standard Observers; 8.4 Colour transformations; 8.5 Properties of the XYZ system; 8.6 Uniform chromaticity diagrams; 8.7 Nomograms; 8.8 Uniform colour spaces; 8.9 Subjective effects; 8.10 Haploscopic matching; 8.11 Subjective colour scaling; 8.12 Physical colour standards; 8.13 Whiteness"]
[{"$nulls":4},"9 The Colorimetry of Subtractive Systems9.1 Introduction; 9.2 Subtractive chromaticity gamuts; 9.3 Subtractive gamuts in the colour solid; 9.4 Spectral sensitivities for block dyes; 9.5 Spectral sensitivities for real dyes; 9.6 MacAdam's analysis; 9.7 Umberger's analysis; 9.8 Two-colour subtractive systems; 9.9 Subtractive quality; 10 Light Sources; 10.1 Introduction; 10.2 Tungsten lamps; 10.3 Spectral-power converting filters; 10.4 Daylight; 10.5 Fluorescent lamps; 10.6 Sodium, mercury, and metal-halide lamps; 10.7 Xenon arcs; 10.8 Carbon arcs; 10.9 Photographic flash-bulbs"]
[{"$nulls":4},"10.10 The red-eye effect"]
[null,null,null,"Sommario/riassunto","Increasing use of digital signals for transmitting data in television, photography and printing means the reproduction of pictorial colour in the 21st century continues to drive innovation in its development. Hunt's classic text The Reproduction of Colour has been fully revised and updated for the sixth edition to provide a comprehensive introduction to colour imaging and colour reproduction. New illustrations, diagrams and photographs ensure that both students and practising engineers using colour images can gain a full understanding of the theory and practical application"]