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[null,"1.","Record Nr.",null,"UNINA9910143542703321"]
[null,null,"Autore",null,"Doorman Maarten"]
[null,null,"Titolo",null,"Art in progress : a philosophical response to the end of the avant-garde / / by Maarten Doorman ; translated from the Dutch by Sherry Marx"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam, : Amsterdam University Press, 2003"]
[{"$nulls":4},"Amsterdam : , : Amsterdam University Press, , [2003]"]
[{"$nulls":4},"©2004"]
[null,null,"ISBN",null,"9786610958825"]
[{"$nulls":4},"9781280958823"]
[{"$nulls":4},"1280958820"]
[{"$nulls":4},"9789048505135"]
[{"$nulls":4},"9048505135"]
[{"$nulls":4},"9780585495378"]
[{"$nulls":4},"0585495378"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (181 pages) : digital, PDF file(s)"]
[null,null,"Disciplina",null,"111.85"]
[null,null,"Soggetti",null,"Aesthetics"]
[{"$nulls":4},"Progress"]
[{"$nulls":4},"Avant-garde (Aesthetics)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 15 Jan 2021)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Foreword / Doorman, Maarten -- Introduction -- 1. Perspectives On Progress: A History -- 2. From The Ancients And The Moderns: A Door To The Future -- 3. From Romanticism To The Avant-Garde -- 4. On Making Revolution -- 5. Innovation In Painting And Architecture: De Stijl -- 6. The End Of Art -- 7. A New Approach To An Old Concept -- Notes -- Bibliography -- Index Of Names"]
[null,null,null,"Sommario/riassunto","In this challenging essay, Maarten Doorman argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism, he claims, have had a crippling effect on art, leaving it in danger of becoming meaningless. Art can only acquire meaning through context; the concept of progress, then, is ideal as the primary criterion for establishing that context. The history of art, in fact, can be seen as a process of constant accumulation, works of art commenting on one another and enriching one another's meanings. It is these "]
[{"$nulls":4},"complex interrelationships and the progress they create in both art and its observers that Doorman, in a display of great philosophical erudition, defends."]