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[null,"1.","Record Nr.",null,"UNINA9910143293903321"]
[null,null,"Autore",null,"Davies David <1949->"]
[null,null,"Titolo",null,"Art as performance [[electronic resource] /] / David Davies"]
[null,null,"Pubbl/distr/stampa",null,"Malden, MA, : Blackwell Pub., 2004"]
[null,null,"ISBN",null,"1-280-19835-4"]
[{"$nulls":4},"9786610198351"]
[{"$nulls":4},"0-470-79876-9"]
[{"$nulls":4},"0-470-77492-4"]
[{"$nulls":4},"1-4051-4364-9"]
[null,null,"Descrizione fisica",null,"1 online resource (292 p.)"]
[null,null,"Collana",null,"New directions in aesthetics ; ; 2"]
[null,null,"Disciplina",null,"111.85"]
[{"$nulls":4},"111/.85"]
[{"$nulls":4},"701.1"]
[null,null,"Soggetti",null,"Aesthetics"]
[{"$nulls":4},"Art - Philosophy"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [266]-272) and index."]
[null,null,"Nota di contenuto",null,"Contents; Preface; 1 Introduction; 1.1 Challenges to Aesthetic Empiricism; 1.2 Methodological Interlude:The \"Pragmatic Constraint \" on the Ontology of Art; 2 Aesthetic Empiricism and the Philosophy of Art; 2.1 Aesthetic Empiricism; 2.2 Indirect Arguments Against Aesthetic Empiricism; 2.3 Direct Arguments Against Aesthetic Empiricism; 2.4 Drawing Ontological Conclusions from the Counter-Empiricist Arguments; 3 The Fine Structure of the Focus of Appreciation; 3.1 The Structure of the Focus of Appreciation; 3.2 Performance and Appreciation; 3.3 Ontology After Empiricism"]
[{"$nulls":4},"4 The Artwork as Performance: An Argument from Artistic Intentions4.1 Overview; 4.2 The Bearing of Provenance on Work and Focus; 4.3 Artistic Intentions and the Ontology of Art; 4.4 Conclusions; 5 Provenance,Modality,and the Identity of the Artwork; 5.1 Preliminaries; 5.2 The Work-Relativity of Modality; 5.3 A Strategy for Accommodating the Work-Relativity of Modality; 5.4 Appendix:A Defense of the \"Modality Principle \"; 6 Artwork,Action,and Performance; 6.1 The \"Action-Type Hypothesis \"; 6.2 Assessing the ATH; 6.3 Currie and his Critics; 7 Art as Performance"]
[{"$nulls":4},"7.1 Elaborating the Performance Theory7.2 Structure and Focus; 7.3 Heuristics and the Individuation of Artworks; 7.4 Work-Constitution and Modality on the Performance Theory; 7.5 Performances,Actions,and Doings; 8 Revisionism and Modernism Revisited; 8.1 Revisionism Revisited; 8.2 Performance and the Challenge of the Modern; 8.3 More on Forgeries; 9 Performance as Art; 9.1 Performance as Art; 9.2 Performed Works and Work-Performances; 9.3 Work-Performances and Performance-Works; 9.4 Performance-Works and Improvisation; 10 Defining \"Art \" as Performance,,and the Values of Art"]
[{"$nulls":4},"10.1 Notes Toward a Definition of \"Art \"10.2 The Values of Art; 10.3 Conclusions:The Case Against Contextualism; References; Index"]
[null,null,null,"Sommario/riassunto","In this richly argued and provocative book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines. Elaborates and defends a broad conceptual framework for thinking about the arts. Offers a provocative view about the kinds of things that artworks are and how they are to be understood. Reveals important continuities and discontinuities between traditional and modern art. Highlights cor"]