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[null,"1.","Record Nr.",null,"UNINA9910143229503321"]
[null,null,"Autore",null,"Richardson Iain E. G"]
[null,null,"Titolo",null,"H.264 and MPEG-4 video compression [[electronic resource] ] : video coding for next generation multimedia / / Iain E. G. Richardson"]
[null,null,"Pubbl/distr/stampa",null,"Chichester ; ; Hoboken, NJ, : Wiley, c2003"]
[null,null,"ISBN",null,"1-280-27245-7"]
[{"$nulls":4},"9786610272457"]
[{"$nulls":4},"0-470-34639-6"]
[{"$nulls":4},"0-470-86960-7"]
[{"$nulls":4},"0-470-86961-5"]
[null,null,"Descrizione fisica",null,"1 online resource (307 p.)"]
[null,null,"Disciplina",null,"006.6/96"]
[{"$nulls":4},"621.388"]
[null,null,"Soggetti",null,"H.263 (Video coding standard)"]
[{"$nulls":4},"MPEG (Video coding standard)"]
[{"$nulls":4},"Video compression"]
[{"$nulls":4},"Coding theory"]
[{"$nulls":4},"Multimedia systems"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [277]) and index."]
[null,null,"Nota di contenuto",null,"H.264 and MPEG-4 Video Compression; Contents; About the Author; Foreword; Preface; Glossary; 1 Introduction; 1.1 The Scene; 1.2 Video Compression; 1.3 MPEG-4 and H.264; 1.4 This Book; 1.5 References; 2 Video Formats and Quality; 2.1 Introduction; 2.2 Natural Video Scenes; 2.3 Capture; 2.3.1 Spatial Sampling; 2.3.2 Temporal Sampling; 2.3.3 Frames and Fields; 2.4 Colour Spaces; 2.4.1 RGB; 2.4.2 YCbCr; 2.4.3 YCbCr Sampling Formats; 2.5 Video Formats; 2.6 Quality; 2.6.1 Subjective Quality Measurement; 2.6.2 Objective Quality Measurement; 2.7 Conclusions; 2.8 References; 3 Video Coding Concepts"]
[{"$nulls":4},"3.1 Introduction3.2 Video CODEC; 3.3 Temporal Model; 3.3.1 Prediction from the Previous Video Frame; 3.3.2 Changes due to Motion; 3.3.3 Block-based Motion Estimation and Compensation; 3.3.4 Motion Compensated Prediction of a Macroblock; 3.3.5 Motion Compensation Block Size; 3.3.6 Sub-pixel Motion Compensation; 3.3.7 Region-based Motion Compensation; 3.4 Image model; 3.4.1 Predictive "]
[{"$nulls":4},"Image Coding; 3.4.2 Transform Coding; 3.4.3 Quantisation; 3.4.4 Reordering and Zero Encoding; 3.5 Entropy Coder; 3.5.1 Predictive Coding; 3.5.2 Variable-length Coding; 3.5.3 Arithmetic Coding"]
[{"$nulls":4},"3.6 The Hybrid DPCM/DCT Video CODEC Model3.7 Conclusions; 3.8 References; 4 The MPEG-4 and H.264 Standards; 4.1 Introduction; 4.2 Developing the Standards; 4.2.1 ISO MPEG; 4.2.2 ITU-T VCEG; 4.2.3 JVT; 4.2.4 Development History; 4.2.5 Deciding the Content of the Standards; 4.3 Using the Standards; 4.3.1 What the Standards Cover; 4.3.2 Decoding the Standards; 4.3.3 Conforming to the Standards; 4.4 Overview of MPEG-4 Visual/Part 2; 4.5 Overview of H.264 / MPEG-4 Part 10; 4.6 Comparison of MPEG-4 Visual and H.264; 4.7 Related Standards; 4.7.1 JPEG and JPEG2000; 4.7.2 MPEG-1 and MPEG-2"]
[{"$nulls":4},"4.7.3 H.261 and H.2634.7.4 Other Parts of MPEG-4; 4.8 Conclusions; 4.9 References; 5 MPEG-4 Visual; 5.1 Introduction; 5.2 Overview of MPEG-4 Visual (Natural Video Coding); 5.2.1 Features; 5.2.2 Tools, Objects, Profiles and Levels; 5.2.3 Video Objects; 5.3 Coding Rectangular Frames; 5.3.1 Input and Output Video Format; 5.3.2 The Simple Profile; 5.3.3 The Advanced Simple Profile; 5.3.4 The Advanced Real Time Simple Profile; 5.4 Coding Arbitrary-shaped Regions; 5.4.1 The Core Profile; 5.4.2 The Main Profile; 5.4.3 The Advanced Coding Efficiency Profile; 5.4.4 The N-bit Profile"]
[{"$nulls":4},"5.5 Scalable Video Coding5.5.1 Spatial Scalability; 5.5.2 Temporal Scalability; 5.5.3 Fine Granular Scalability; 5.5.4 The Simple Scalable Profile; 5.5.5 The Core Scalable Profile; 5.5.6 The Fine Granular Scalability Profile; 5.6 Texture Coding; 5.6.1 The Scalable Texture Profile; 5.6.2 The Advanced Scalable Texture Profile; 5.7 Coding Studio-quality Video; 5.7.1 The Simple Studio Profile; 5.7.2 The Core Studio Profile; 5.8 Coding Synthetic Visual Scenes; 5.8.1 Animated 2D and 3D Mesh Coding; 5.8.2 Face and Body Animation; 5.9 Conclusions; 5.10 References; 6 H.264/MPEG-4 Part 10"]
[{"$nulls":4},"6.1 Introduction"]
[null,null,null,"Sommario/riassunto","Following on from the successful MPEG-2 standard, MPEG-4 Visual is enabling a new wave of multimedia applications from Internet video streaming to mobile video conferencing. The new H.264 'Advanced Video Coding' standard promises impressive compression performance and is gaining support from developers and manufacturers.  The first book to cover H.264 in technical detail, this unique resource takes an application-based approach to the two standards and the coding concepts that underpin them.Presents a practical, step-by-step, guide to the MPEG-4 Visual and H.264 standards for video com"]
[null,"2.","Record Nr.",null,"UNINA9910166656903321"]
[null,null,"Autore",null,"André Marie-Odile"]
[null,null,"Titolo",null,"La France des écrivains : Éclats d'un mythe (1945-2005) / / Marc Dambre, Michel P. Schmitt, Marie-Odile André"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Presses Sorbonne Nouvelle, 2016"]
[null,null,"ISBN",null,"2-87854-752-7"]
[null,null,"Descrizione fisica",null,"1 online resource (292 p.)"]
[null,null,"Soggetti",null,"French literature - 20th century - History and criticism"]
[{"$nulls":4},"French literature - 21st century - History and criticism"]
[{"$nulls":4},"Authors, French - 20th century"]
[{"$nulls":4},"Authors, French - 21st century"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Des lendemains de la Seconde Guerre mondiale à nos jours, « La France » a été pour nombre d'écrivains un enjeu passionnel, cristallisant amour et haine, culte et indifférence, violence et nostalgie. Comment la littérature s'est-elle fait l'écho des interrogations souterraines, critiques ou angoissées, qui ont travaillé le pays sur la possible dissolution de son ethos ? Et comment les écrivains se sont-ils confrontés à un mythe de la France hérité du XIXe siècle que les orages de l'Histoire ont parfois mis à mal jusqu'à l'éclatement ?  Ce volume essaie de représenter la richesse des émotions, croyances et mémoires que le mythe a engendrées. Parcourant le demi-siècle dans sa diversité tant politique qu'esthétique (genres, formes, tonalités), il propose de confronter les regards d'écrivains de langue française, venus d'horizons géographiques, idéologiques et culturels fortement contrastés."]