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[null,"1.","Record Nr.",null,"UNISA996394927503316"]
[null,null,"Autore",null,"Juvenal"]
[null,null,"Titolo",null,"Iunii Iuuenalis et Auli Persii Flacci satyræ [[electronic resource] ] : cum annotationibus ad marginem quæ obscurissima quæque dilucidare possint"]
[null,null,"Pubbl/distr/stampa",null,"Londini, : Excudebat Tho. Snodham, impensis Iohannis Pyper, 1620 [i.e. 1621]"]
[null,null,"Edizione",null,"[Tertia editio prioribus multò emendatior & auctior.]"]
[null,null,"Descrizione fisica",null,"[8], 190, [2] p"]
[null,null,"Lingua di pubblicazione",null,"Latino"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Editor's dedication signed: Tho. Farnabius."]
[{"$nulls":4},"In verse."]
[{"$nulls":4},"\"Auli Persii Flacci satyræ sex\" has separate title page with imprint dated 1621; pagination and register are continuous."]
[{"$nulls":4},"The last leaf is blank."]
[{"$nulls":4},"Reproduction of the original in the British Library."]
[null,null,null,"Sommario/riassunto","eebo-0018"]
[null,"2.","Record Nr.",null,"UNISALENTO991003320609707536"]
[null,null,"Titolo",null,"Achille Funi : comune di Ferrara, Galleria civica d'arte moderna, Palazzo dei Diamanti, 29 giugno-10 ottobre 1976 / [testi introduttivi di Antonello Negri, Zeno Birolli]"]
[null,null,"Pubbl/distr/stampa",null,"[s.l. : s.n., 1976?] (Cento : Siaca arti grafiche)"]
[null,null,"Descrizione fisica",null,"[54] c. : ill. ; 22x24 cm"]
[null,null,"Disciplina",null,"709.45"]
[null,null,"Soggetti",null,"Funi, Achille Ferrara Esposizioni 1976"]
[{"$nulls":4},"Funi, Achille Ferrara Esposizioni 1976"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Catalogo della mostra"]
[null,"3.","Record Nr.",null,"UNINA9910140447703321"]
[null,null,"Autore",null,"Joy Eileen A"]
[null,null,"Titolo",null,"On Style: An Atelier / edited by Eileen A. Joy and Anna Kłosowska ; with assistance from M. Sparkles Joy"]
[null,null,"Pubbl/distr/stampa",null,"Brooklyn, NY, : punctum books, 2013"]
[{"$nulls":4},"Baltimore, Maryland : , : Project Muse, , 2020"]
[{"$nulls":4},"©2020"]
[null,null,"Descrizione fisica",null,"1 online resource (154 pages) : illustrations"]
[null,null,"Disciplina",null,"808"]
[null,null,"Soggetti",null,"Academic writing - Discourse analysis"]
[{"$nulls":4},"Style (Philosophy)"]
[{"$nulls":4},"Literary style"]
[{"$nulls":4},"Rhetoric"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"On style : a reader's guide / Anna Kłosowska -- Without style / Valerie Allen -- Lacan's belles-lettres : on difficulty and beauty / Ruth Evans -- Style as third element / Anna Kłosowska -- Daniel's smile / Kathleen Biddick -- To peach or not to peach : style and the interpersonal / Michael D. Snediker -- The aesthetics of style and the politics of identity formation / Gila Aloni -- Renegade style : fashion and the (non)modern subject-object in Massinger's The Renegado / Jessica Roberts Frazier -- Always accessorize : in defense of scholarly cointise / Christine Neufeld -- The unceasing call of style : a novelist's perspective / Valerie Vogrin."]
[null,null,null,"Sommario/riassunto","\"Style, more than species, is what distinguishes the howl of the wolves saluting the moon from the songs of the neighborhood dogs rising over fences and alleyways.\"--Valerie Vogrin. Scholarship in medieval studies of the past 20 or so years has offered some provocative experiments in, and elegant exempla of, style. Scholars such as Anne Clark Bartlett, Kathleen Biddick, Catherine Brown, Brantley Bryant, Michael Camille, Jeffrey Jerome Cohen, Carolyn Dinshaw, James Earl, L.O. Aranye Fradenburg, Roberta Frank, Amy Hollywood, Cary Howie, C. Stephen Jaeger, Eileen Joy, Anna Klosowska, Nicola Masciandaro, Peggy McCracken, Paul Strohm, David Wallace, and Paul Zumthor, among "]
[{"$nulls":4},"others, have blended the conventions of academic writing with those of fiction, drama, memoir, comedy, polemic, and lyricism, and/or have developed what some would describe as elegant, and arresting (and in some cases, deliciously difficult), prose styles. As these registers merge, they can produce what has been called a queer historiographical encounter (or in queer theorist Elizabeth Freeman's terms, \"an erotohistoriography\"), a \"poetics of intensification,\" and even a \"new aestheticism.\" The work of these scholars has also opened up debates (some rancorous) that often install what the editors of this volume feel are false binaries between form and content, feeling and thinking, affect and rigor, poetry and history, attachment and critical distance, enjoyment and discipline, style and substance. What can be said about the \"style\" of academic discourse at the present time, especially in relation to historical method, theory, and reading literary and historical texts? Is style merely supplemental to scholarly substance? As scholars, are we \"subjects\" of style? And what is the relationship between style and theory? Is style an object, a method, or something else? These were the questions that guided two conference sessions organized by the BABEL Working Group in 2010 (in Kalamazoo, Michigan and Austin, Texas), out of which this volume was developed. On Style: An Atelier gathers together medievalists and early modernists, as well as a poet and a novelist, in order to offer ruminations upon style in scholarship and theoretical writing (Roland Barthes, Carolyn Dinshaw, Lee Edelman, Bracha Ettinger, Charles Fourier, L.O. Aranye Fradenburg, Heidegger, Lacan, Ignatius of Loyola, and the Marquis de Sade, among others), as well as upon various trajectories of fashionable representation and self-representation in literature, sculpture, psychoanalysis, philosophy, religious history, rhetoric, and global politics."]