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[null,"1.","Record Nr.",null,"UNINA9910140192903321"]
[null,null,"Autore",null,"Pigott Michael"]
[null,null,"Titolo",null,"Joseph Cornell versus cinema / / Michael Pigott"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Bloomsbury Academic, , 2013"]
[null,null,"ISBN",null,"9781472544728"]
[{"$nulls":4},"1472544722"]
[{"$nulls":4},"9781472503527"]
[{"$nulls":4},"147250352X"]
[{"$nulls":4},"9781472503534"]
[{"$nulls":4},"1472503538"]
[null,null,"Descrizione fisica",null,"1 online resource (145 pages) : illustrations; digital, PDF file(s)"]
[null,null,"Collana",null,"The WISH List"]
[null,null,"Disciplina",null,"791.43023092"]
[{"$nulls":4},"791.430233092"]
[null,null,"Soggetti",null,"Art and motion pictures"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Editorial Preface; Acknowledgements; List of Illustrations; Where to Find Cornell's Films; Introduction; Silence; The Cornellian Century; Joseph Cornell versus Marcel Duchamp; CHAPTER ONE Found Footage; Tom Tom the Piper's Son; Return to the Scene of the Crime; Rose Hobart; An Aside on Sound; The Pleasures of Not Reading the Illegible; The Legible Image; 'Intention' as Aesthetic Component - The Illegible Exam Script; Found Footage and Interpretation; Illegibility and Play; CHAPTER TWO Texture and Affect"]
[{"$nulls":4},"Haptic Visuality: A Short History of IntimacyHaptics and Politics; Forking Paths - Schmarsow and Riegl; By Night With Torch And Spear; Moloch: Technology and Darkness; Joseph Cornell versus Cinephilia; CHAPTER THREE Time and the Everyday; Sleep; Dream; Cornell versus Surrealism; Cornell the Flâneur; Real Time; Frames, Morphing and Activity; Faster than Real Time; Silence on Spotify; Mapping; Slow Cinema; Angel and A Legend for Fountains; Conclusion - The Self as Everyday Object; Notes; Filmography; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Joseph Cornell is one of the most significant American artists of the twentieth century. His work is highly visible in the the world's most prestigious galleries, including the Tate Modern and MOMA. His famous "]
[{"$nulls":4},"boxes and his collage work have been admired and widely studied.However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined.In this book, Michael Piggott makes the case for the significance of Joseph Cornell's films. This is an important contribution to our knowledge of twentieth century culture for scholars and students of film and art history and American studies and for all those interested in pop culture, celebrity and fandom."]