{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":26,"n_cols":5,"rows_kept":26,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[12,2,12,3],[13,2,13,3],[15,2,15,3],[16,2,16,3],[20,2,20,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910139594503321"]
[null,null,"Titolo",null,"A companion to poetic genre / / edited by Erik Martiny"]
[null,null,"Pubbl/distr/stampa",null,"Hoboken, N.J., : Wiley-Blackwell, 2012"]
[null,null,"ISBN",null,"1-118-48206-9"]
[{"$nulls":4},"1-78268-702-5"]
[{"$nulls":4},"1-283-25834-X"]
[{"$nulls":4},"9786613258342"]
[{"$nulls":4},"1-4443-4431-5"]
[{"$nulls":4},"1-4443-4428-5"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (661 p.)"]
[null,null,"Collana",null,"Blackwell companions to literature and culture"]
[null,null,"Disciplina",null,"809.1"]
[null,null,"Soggetti",null,"Poetry - History and criticism"]
[{"$nulls":4},"Poetics - History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"A COMPANION TO POETIC GENRE; Contents; Notes on Contributors; Preface; Acknowledgments; Part I; 1: \"To Get the News from Poems\": Poetry as Genre; 2: What Was New Formalism?; 3: Meter; 4: The Stanza: Echo Chambers; 5: Trying to Praise the Mutilated World: The Contemporary American Ode; 6: English Elegies; 7: The Self-Elegy: Narcissistic Nostalgia or Proleptic Postmortem?; 8: Free Verse and Formal: The English Ghazal; 9: On \"the Beat Inevitable\": The Ballad; 10: Oddity or Tour de Force? The Sestina; 11: The Rondeau: Still Doing the Rounds"]
[{"$nulls":4},"12: Weaving Close Turns and Counter Turns: The Villanelle13: Looping the Loop: Terza Rima; 14: Ottava Rima: Quietly Facetious upon Everything; 15: \"Named Airs\": American Sonnets (Stevens to Bidart); 16: African American Sonnets: Voicing Justice and Personal Dignity; 17: The Liberties of Blank Verse; 18: Arcs of Movement: The Heroic Couplet; 19: In a Sea of Indeterminacy: Fourteen Ways of Looking at Haiku; 20: On the Pantoum, and the Pantunite Element in Poetry; 21: \"Gists and Piths\": The Free-Verse Revolution in Contemporary American Poetry; 22: The Emergent Prose Poem"]
[{"$nulls":4},"23: Concrete/Visual Poetry24: Poems that Count: Procedural Poetry; 25: Modes of Found Poetry; Part II; 26: \"Horny Morning Mood\": The Aubade and Alba; 27: Nox Consilium and the Dark Night of the Soul: The "]
[{"$nulls":4},"Nocturne; 28: Heaney, Virgil, and Contemporary Katabasis; 29: The Aisling; 30: The Printed Voice; 31: Rewriting the People's Newspaper: Trinidadian Calypso after 1956; 32: Tragicomic Mode in Modern American Poetry: \"Awful but Cheerful\"; 33: Parnassus in Pillory: Satirical Verse; 34: Poetry and Its Occasions: \"Undoing the Folded Lie\"; 35: On Verse Letters"]
[{"$nulls":4},"36: \"Containing History\": Epic Poetry and Revisions of the Genre37: T.S. Eliot and the Short Long Poem; 38: Making War Poetry Contemporary; 39: Bestiary USA: The Modern American Bestiary Poem; 40: \"From Arcadia to Bunyah\": Mutation and Diversity in the Pastoral Mode; 41: Another Green World: Contemporary Garden Poetry; 42: Scenic, or Topographical, Poetry; 43: Ekphrastic Poetry: \\In and Out of the Museum; Index"]
[null,null,null,"Sommario/riassunto","\"A Companion to Poetic Genre brings together over 40 contributions from leading academics to provide critical overviews of poetic genres and their modern adaptations. Covers a large range of poetic cultural traditions from Britain, Ireland, North America, Japan and the Caribbea Summarises many genres from their earliest origins to their most recent renderings The only full-length critical collection to deal with modern adaptations of poetic genres Contributors include Bernard O'Donoghue, Stephen Burt, Jahan Ramazani, and many other notable scholars of poetry and poetics\"--"]