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[null,"1.","Record Nr.",null,"UNINA9910459453503321"]
[null,null,"Autore",null,"Lurie Jacob <1977->"]
[null,null,"Titolo",null,"Higher topos theory [[electronic resource] /] / Jacob Lurie"]
[null,null,"Pubbl/distr/stampa",null,"Princeton, N.J., : Princeton University Press, 2009"]
[null,null,"ISBN",null,"1-282-64495-5"]
[{"$nulls":4},"9786612644955"]
[{"$nulls":4},"1-4008-3055-9"]
[null,null,"Edizione",null,"[Course Book]"]
[null,null,"Descrizione fisica",null,"1 online resource (944 p.)"]
[null,null,"Collana",null,"Annals of mathematics studies ; ; no. 170"]
[null,null,"Disciplina",null,"512/.62"]
[null,null,"Soggetti",null,"Toposes"]
[{"$nulls":4},"Categories (Mathematics)"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Preface -- Chapter One. An Overview Of Higher Category Theory -- Chapter Two. Fibrations Of Simplicial Sets -- Chapter Three. The ∞-Category Of ∞-Categories -- Chapter Four. Limits And Colimits -- Chapter Five. Presentable And Accessible ∞-Categories -- Chapter Six. ∞-Topoi -- Chapter Seven. Higher Topos Theory In Topology -- Appendix -- Bibliography -- General Index -- Index Of Notation"]
[null,null,null,"Sommario/riassunto","Higher category theory is generally regarded as technical and forbidding, but part of it is considerably more tractable: the theory of infinity-categories, higher categories in which all higher morphisms are assumed to be invertible. In Higher Topos Theory, Jacob Lurie presents the foundations of this theory, using the language of weak Kan complexes introduced by Boardman and Vogt, and shows how existing theorems in algebraic topology can be reformulated and generalized in the theory's new language. The result is a powerful theory with applications in many areas of mathematics. The book's first five chapters give an exposition of the theory of infinity-categories that emphasizes their role as a generalization of ordinary categories. Many of the fundamental ideas from classical category theory are generalized to the infinity-categorical setting, such as limits and colimits, adjoint functors, ind-objects and pro-objects, locally accessible and presentable categories, Grothendieck fibrations, presheaves, and Yoneda's lemma. A sixth chapter presents an infinity-categorical "]
[{"$nulls":4},"version of the theory of Grothendieck topoi, introducing the notion of an infinity-topos, an infinity-category that resembles the infinity-category of topological spaces in the sense that it satisfies certain axioms that codify some of the basic principles of algebraic topology. A seventh and final chapter presents applications that illustrate connections between the theory of higher topoi and ideas from classical topology."]
[null,"2.","Record Nr.",null,"UNINA9910139018303321"]
[null,null,"Titolo",null,"A companion to modern African Art / / edited by Gitti Salami and Monica Blackmun Visona"]
[null,null,"Pubbl/distr/stampa",null,"Chichester, West Sussex : , : Wiley Blackwell, , 2013"]
[null,null,"ISBN",null,"1-118-51505-6"]
[{"$nulls":4},"1-118-51507-2"]
[{"$nulls":4},"1-118-51510-2"]
[{"$nulls":4},"1-118-51506-4"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (650 p.)"]
[null,null,"Collana",null,"Wiley Blackwell companions in art history ; ; 6"]
[null,null,"Classificazione",null,"702.4"]
[{"$nulls":4},"709.6"]
[null,null,"Disciplina",null,"704.03"]
[{"$nulls":4},"704.0396073"]
[null,null,"Soggetti",null,"Art, African - 20th century"]
[{"$nulls":4},"Art, African - 19th century"]
[{"$nulls":4},"Art, African - 21st century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes bibliographical references and index"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"A Companion to Modern African Art; Copyright; Contents; List of Figures; Notes on Contributors; Acknowledgments; Part I Introduction; 1 Writing African Modernism into Art History; Narrations of Modernism and Modernity; Centering Narratives on Africa's Art Worlds; Chapter Overview; Lacunae and Disjunctures; Notes; References; Part II \"Africa Has Always Been Modern\"; 2 Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa; Sacred Waters: Ancient and Indigenous Arts for African Water Deities"]
[{"$nulls":4},"Afro-Mami Meets Euro-Mermaid: A Fifteenth-Century Sapi SynthesisThe Mermaid: A Floating Signifier; The Double-Tailed Mermaid in the Art of Benin; Mami Wata and the Image of the Snake Charmer; The Snake Charmer as Mami Wata in Africa; Mami Wata and Hindu Gods and Goddesses; Communicating with Mami Wata: Writing, Reflecting, Calling; Troubled Waters: From Saint to Sinner; Notes; References; Part III Art in Cosmopolitan Africa: The Nineteenth Century; 3 Loango Coast Ivories and the Legacies of Afro-Portuguese Arts; Hybrids at Hello; Contact and Catastrophe; Afro-Portuguese Ivories"]
[{"$nulls":4},"The Loango Ivories\"Authenticity\": Drawing the Line; Pointed Imagery; More Animal Tales; Double-Take; Notes; References; 4 Roots and "]
[{"$nulls":4},"Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980); \"COME ONE! COME ALL! and secure the shadow ere it fades\"; Toward a History of Photography in West and Central Africa; Pioneer Photographers and Their Customers along the West and Central African Coasts; From Monrovia to Libreville: The Careers of Several African Pioneer Photographers"]
[{"$nulls":4},"The Democratization of Photography: The Case of Fumban, CameroonNotes; References; 5 At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics; \"Modernity\" in African Art History; Challenging \"Modernity\" and \"Place\" on the Swahili Coast; Photography and the Colonial Moment; A Swahili Culture of Things; Portrait Photographs as Objects; Modernity on the Edge; Notes; References; 6 African Reimaginations: Presence, Absence, and New Way Architecture; The Scenario for a New History of the Modern; The Palace and the Mosque; Lacuna and History; Removals and Reinstallations"]
[{"$nulls":4},"Invisibility and DifferenceLast Word: The Lines of a Future Argument; Notes; References; Part IV Modernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century; 7 \"One of the Best Tools for Learning\": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History; Introduction; Art, Islam, and the Imam; An Insightful Traveler's Observations; \"And They Do Not Spare Any Effort in Preserving These Things\"; Al-Suwar wa-l-Tamathil: A Fatwa without Fine Arts; Between the Educational and the Legal; The Fatwa's Five Parts; Conclusion; Notes; References"]
[{"$nulls":4},"8 Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception"]
[null,null,null,"Sommario/riassunto","Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across AfricaIncludes original and previously unpublished fieldwork-based materialFeatures new and complex theoretical arguments about the nature of modernity an"]