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[null,"1.","Record Nr.",null,"UNISA990001845680203316"]
[null,null,"Autore",null,"RAAB, Felix"]
[null,null,"Titolo",null,"The english face of Machiavelli : a changing interpretation 1500-1700 / Felix Raab ; with a foreword by Hugh Trevor-Roper"]
[null,null,"Pubbl/distr/stampa",null,"London, : Routledge & Kegan, 1964"]
[null,null,"Descrizione fisica",null,"XII, 306 p. ; 22 cm"]
[null,null,"Collana",null,"Studies in political history"]
[null,null,"Soggetti",null,"Machiavelli, Niccolò Gran Bretagna Influenza 1500-1700"]
[null,null,"Collocazione",null,"X.2.B. 1032(IV C coll.266/6)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISA996389688203316"]
[null,null,"Autore",null,"Hooker Thomas <1586-1647.>"]
[null,null,"Titolo",null,"Heautonaparnumenos: or A treatise of self-denyall [[electronic resource] ] : Intended for the pulpit; but now committed to the presse for the publike benefit"]
[null,null,"Pubbl/distr/stampa",null,"London, : Printed by W. Wilson, for Richard Royston, at the Angel in Ivy-lane., 1646"]
[null,null,"Descrizione fisica",null,"70, [2] p"]
[null,null,"Soggetti",null,"Self-denial"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Attributed to Thomas Hooker by Wing."]
[{"$nulls":4},"The final leaf is blank."]
[{"$nulls":4},"Reproduction of the original in the British Library."]
[{"$nulls":4},"Annotation on Thomason copy: \"May 6th\"."]
[{"$nulls":4},"Annotation on Thomason copy:\"May 6th\"."]
[null,null,null,"Sommario/riassunto","eebo-0018"]
[null,"3.","Record Nr.",null,"UNINA9910137011203321"]
[null,null,"Autore",null,"Martinière Nathalie"]
[null,null,"Titolo",null,"Figures du double : Du personnage au texte / / Nathalie Martinière"]
[null,null,"Pubbl/distr/stampa",null,"Rennes, : Presses universitaires de Rennes, 2016"]
[null,null,"ISBN",null,"2-7535-4674-6"]
[null,null,"Descrizione fisica",null,"1 online resource (206 p.)"]
[null,null,"Soggetti",null,"Theater"]
[{"$nulls":4},"Literature (General)"]
[{"$nulls":4},"double"]
[{"$nulls":4},"esthétique"]
[{"$nulls":4},"littérature de langue anglaise"]
[{"$nulls":4},"XXème siècle"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Cet ouvrage envisage l’évolution de la figure du double dans la littérature anglo-saxonne au XXe siècle. Il étudie comment cette figure récurrente de la littérature, le double du personnage, cède la place à une autre forme de double, le double du texte tel qu’il se donne particulièrement à voir dans l’usage répété que font les auteurs contemporains de la parodie. Ou encore comment à la question « qui suis-je ? » succède celle de savoir « qui parle ? » À travers l’étude comparée de « The Secret Sharer » de Joseph Conrad (1908/1910), de Wide Sargasso Sea de Jean Rhys (1966), de Foe de J.-M. Coetzee (1986) et de Jack Maggs de Peter Carey (1997), c’est un mode parodique particulier, lieu du rejet des identités fixes, et un type de double volontairement infidèle qui se révèlent progressivement : figure de l’ethos post-colonial contemporain, le double cesse d’être simplement symptôme d’un dysfonctionnement et devient figure de renouvellement. Traditionnellement, le double dans la mythologie et la littérature naîtrait de conflits internes ingérables par l’individu. En période contemporaine, l’angoisse prend la forme de cette tête de méduse pétrifiante qu’est le texte déjà écrit (Robinson Crusoe, Great Expectations ou Jane Eyre). Le (re)-doubler, c’est pour les romanciers-parodistes la possibilité de se reconstruire une image : ce double "]
[{"$nulls":4},"pétrifiant dont il importe de se protéger à l’aide du bouclier de la parodie n’est alors plus, comme dans « The Secret Sharer », un autre soi-même de chair et d’os ; ce double est fait de texte, de ces textes qui construisent mentalement le sujet et l’emprisonnent idéologiquement autant qu’ils le forment. Dans ce contexte, la question de l’identité est posée à travers le rapport aux classiques. Pris entre la fascination de l’image de soi renvoyée par le classique et la douleur de se voir figé peut-être à jamais dans la fiction, il s’agit alors de se libérer de cet héritage culturel, qui ne va pas de soi – même s’il est rarement remis en…"]
[null,"4.","Record Nr.",null,"UNINA9910557108903321"]
[null,null,"Autore",null,"Sunna Anwar"]
[null,null,"Titolo",null,"Novel Enzyme and Whole-Cell Biocatalysts"]
[null,null,"Pubbl/distr/stampa",null,"Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020"]
[null,null,"Descrizione fisica",null,"1 online resource (332 p.)"]
[null,null,"Soggetti",null,"Technology: general issues"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","The concept of a circular economy relies on waste reduction, valorization, and recycling. Global trends for \"green\" synthesis of chemicals have positioned the field of enzyme technology and biocatalysis (multi-enzymes and whole-cells) as an alternative for the synthesis of more social- and environmentally-responsible bio-based chemicals. Recent advances in synthetic biology, computational tools, and metabolic engineering have supported the discovery of new enzymes and the rational design of whole-cell biocatalysts. In this book, we highlight these current advances in the field of biocatalysis, with special emphasis on novel enzymes and whole-cell biocatalysts for applications in several industrial biotechnological applications."]