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[null,"1.","Record Nr.",null,"UNINA9910136932503321"]
[null,null,"Autore",null,"McBride Patrizia C."]
[null,null,"Titolo",null,"The chatter of the visible : montage and narrative in Weimar Germany / / Patrizia C. McBride"]
[null,null,"Pubbl/distr/stampa",null,"Ann Arbor : , : University of Michigan Press, , [2016]"]
[null,null,"ISBN",null,"0-472-12170-7"]
[{"$nulls":4},"0-472-05303-5"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 236 pages) : illustrations"]
[null,null,"Disciplina",null,"770.943"]
[null,null,"Soggetti",null,"Photography - Germany - History - 1918-1933"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,null,"Sommario/riassunto","\"Examines the paradoxical narrative features of the photomontage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. While montage strategies have commonly been associated with the purposeful interruption of and challenge to narrative consistency and continuity, McBride offers a historicized reappraisal of 1920s and 1930s German photomontage work to show that its peculiar mimicry was less a rejection of narrative and more an extension or permutation of it - a means for thinking in narrative textures exceeding constraints imposed by \"flat\" print media (especially the novel and other literary genres). McBride's contribution to the conversation around Weimar-era montage is in her situation of the form of the work as a discursive practice in its own right, which affords humans a new way to negotiate temporality, as a particular mode of thinking that productively relates the particular to the universal, or as a culturally specific form of cognition.\""]
[null,"2.","Record Nr.",null,"UNINA9910792591103321"]
[null,null,"Titolo",null,"Cross the water blues [[electronic resource] ] : African American music in Europe / / edited by Neil A. Wynn"]
[null,null,"Pubbl/distr/stampa",null,"Jackson, : University Press of Mississippi, 2007"]
[null,null,"ISBN",null,"1-282-55562-6"]
[{"$nulls":4},"9786612555626"]
[{"$nulls":4},"1-60473-547-3"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (302 p.)"]
[null,null,"Collana",null,"American made music series"]
[null,null,"Disciplina",null,"781.64309"]
[null,null,"Soggetti",null,"African Americans - Influence"]
[{"$nulls":4},"African Americans - Europe - Music - History and criticism"]
[{"$nulls":4},"Popular music - Europe - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"\"Why I sing the blues\" : African American culture in the transatlantic world / Neil A. Wynn -- Taking the measure of the blues / Paul Oliver -- Even philosophers get the blues : feeling bad for no reason / David Webster -- Spirituals to (nearly) swing, 1873-1938 / Jeffrey Green -- Black music prior to the first world war : American origins and German perspectives / Rainer E. Lotz -- Fascination and fear : responses to early jazz in Britain / Catherine Parsonage -- \"Un saxophone en mouvement\"? : Josephine Baker and the primitivist reception of jazz in Paris in the 1920's / Iris Schmeisser -- Paul Robeson's British journey / Sean Creighton -- Preaching the gospel of the blues : blues evangelists in Britain / Roberta Freund Schwartz -- Whose \"Rock Island line\"? : originality in the composition of blues and British skiffle / Bob Groom -- The blues blueprint : the blues in the music of the Beatles, the Rolling Stones, and Led Zeppelin / Rupert Till -- \"The blues is the truth\" : the blues, modernity, and the British blues boom / Leighton Grist -- Lowland blues : the reception of African American blues and gospel music in the Netherlands / Guido van Rijn -- The blues in France / Robert Springer -- Cultural displacement, cultural creation : African American jazz musicians in Europe from Bechet to Braxton / Christopher G. Bakriges."]
[null,null,null,"Sommario/riassunto","This unique collection of essays examines the flow of African American music and musicians across the Atlantic to Europe from the time of "]
[{"$nulls":4},"slavery to the twentieth century. In a sweeping examination of different musical forms--spirituals, blues, jazz, skiffle, and orchestral music--the contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands. The essayists approach the subject through diverse historical, musicological, and philosophical perspectives. A number of essays"]