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[null,"1.","Record Nr.",null,"UNINA9910136458503321"]
[null,null,"Autore",null,"Helmerdig Silke <p>Silke Helmerdig, Pforzheim University, Germany </p>"]
[null,null,"Titolo"]
[{"$nulls":4},"Fragments, Futures, Absence and the Past : A New Approach to Photography / Silke Helmerdig"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2016"]
[null,null,"ISBN",null,"9783839436240"]
[{"$nulls":4},"3839436249"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (207 p.)"]
[null,null,"Collana",null,"Image"]
[null,null,"Classificazione",null,"AP 94750"]
[null,null,"Disciplina",null,"770"]
[null,null,"Soggetti",null,"Photography"]
[{"$nulls":4},"History"]
[{"$nulls":4},"Post-War Germany"]
[{"$nulls":4},"Future"]
[{"$nulls":4},"Past"]
[{"$nulls":4},"Absence"]
[{"$nulls":4},"Presence"]
[{"$nulls":4},"Moment"]
[{"$nulls":4},"Depiction"]
[{"$nulls":4},"Image"]
[{"$nulls":4},"Memory Culture"]
[{"$nulls":4},"Visual Studies"]
[{"$nulls":4},"Contemporary History"]
[{"$nulls":4},"Fine Arts"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Contents    5 Introduction. \"After Auschwitz\" - photography and the principle of hope    7 Chapter 1. Photography and historiography    23 Chapter 2. Post-War Germany and its remembrance of the Holocaust    79 Chapter 3. The representation of absence in photography    137 Chapter 4: Epilogue. Photography: A future subjunctive for the past    185 Bibliography    195 Acknowledgements    205"]
[null,null,null,"Sommario/riassunto","According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, "]
[{"$nulls":4},"photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment.Instead of counting on the documentary quality of photography that speaks in the past tense of \"what has been\", Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of \"what could be, if\", allowing one to think possible futures instead of harking back to the past."]
[{"$nulls":4},"Besprochen in:Rundbrief Fotografie, 24/4 (2017), Rolf Sachsse"]