{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":38,"n_cols":5,"rows_kept":38,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[13,2,13,3],[13,4,13,5],[14,2,14,3],[14,4,14,5],[15,2,15,3],[15,4,15,5],[16,2,16,3],[17,2,17,3],[20,2,20,3],[21,2,21,3],[22,2,22,3],[23,2,23,3],[24,2,24,3],[27,2,27,3],[28,2,28,3],[32,2,32,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA990000516890403321"]
[null,null,"Autore",null,"Kanade, Takeo"]
[null,null,"Titolo",null,"Space robotics : dynamics and control / edited by Yangsheng Xu, Takeo Kanade"]
[null,null,"Pubbl/distr/stampa",null,"Boston ; Dordrecht ; London : Kluwer Academic, c1993"]
[null,null,"ISBN",null,"0-7923-9265-5"]
[null,null,"Descrizione fisica",null,"284 p. : ill. ; 24 cm"]
[null,null,"Collana",null,"The Kluver international series in engineering and computer science ; SECS 188"]
[null,null,"Disciplina",null,"629.47"]
[null,null,"Locazione",null,"DINEL"]
[null,null,"Collocazione",null,"10 D III 629"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910136421803321"]
[null,null,"Autore",null,"Green Charles <1953->"]
[null,null,"Titolo",null,"Biennials, triennials, and documenta : the exhibitions that created contemporary art / / Charles Green and Anthony Gardner"]
[null,null,"Pubbl/distr/stampa",null,"Chichester, West Sussex, United Kingdom : , : John Blackwell, , 2016"]
[null,null,"ISBN",null,"1-4443-3665-7"]
[{"$nulls":4},"1-119-21267-7"]
[{"$nulls":4},"1-119-21266-9"]
[null,null,"Edizione",null,"[1]"]
[null,null,"Descrizione fisica",null,"1 online resource (280 p.)"]
[null,null,"Classificazione",null,"BUS100000"]
[null,null,"Disciplina",null,"701/.0309048"]
[null,null,"Soggetti",null,"Art and globalization - History - 20th century"]
[{"$nulls":4},"Art and globalization - History - 21st century"]
[{"$nulls":4},"Biennials - History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontispiece; Title Page; Copyright; Preface; Introduction; Why Biennials?; Part 1. The Second Wave; Part 2. The Politics of Legitimacy; Part 3. Hegemony or a New Canon; The Cultural Geography of Biennials; Notes; Part 1: The Second Wave; 1: 1972: The Rise of the Star-Curator; Introduction; Preparation for a Walk-Through Event Structure; \"Therapy Has Changed and No Longer Encourages Copious Art Production\"; \"The Most Important Exhibition of Recent Years\"; Conclusion; Notes; 2: 1979: Cultural Translation, Cultural Exclusion, and the Second Wave"]
[{"$nulls":4},"Introduction: Biennials as Models for Cultural EncountersFounding the Sydney Biennale; White Elephant or Red Herring? Selecting the 1979 Biennale of Sydney; Import/Export: Sydney and São Paulo; Conclusion; Notes; 3: 1986: The South and the Edges of the Global; Introduction: Origin Stories; A Brief History of Southern Biennials; The Second Bienal de La Habana; Conclusion: The Stakes of Southern Histories; Notes; Part 2: The Politics of Legitimacy; 4: 1989: Asian Biennialization; Introduction; Experimental Versus Traditional Art: \"Traditions/Tensions\"; Conclusion; Notes"]
[{"$nulls":4},"5: 1997: Biennials, Migration, and ItinerancyIntroduction; Manifesta and Critical Regionalism; Locality Fails: The 2nd Johannesburg Biennale; By Way of Conclusion: The Emergency Biennale in Chechnya; Notes; Part 3: Hegemony or a New Canon; 6: 2002: Cosmopolitanism; Introduction; "]
[{"$nulls":4},"The Five-Year Subaltern Plan; Black Box, White Cube; Conclusion; Notes; 7: 2003: Delegating Authority; Introduction; Tirana: \"Opening Up the Conversation\"; Escape; Curating by Delegation: The 50th Venice Biennale: The Dictatorship of the Viewer; \"Counterbalance the Decadence of the Ancient City\""]
[{"$nulls":4},"\"Outmoded Structure of National Pavilions and Theme Exhibitions\"Conclusion; Notes; 8: 2014: Global Art Circuits; Introduction; The Game of Comparison and Competition; Negotiated Inequality; Contemporary Play Time; Coda: 2014; Notes; 9: Conclusion; Notes; Index; EULA"]
[null,null,null,"Sommario/riassunto","\"Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s and the emergence of mega-exhibitions in Asia in the 1990s to the current globalization of biennials\"--"]