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[null,"1.","Record Nr.",null,"UNINA9910136241603321"]
[null,null,"Titolo",null,"Hélio Oiticica: Curating the Penetráveis / Stefanie Heraeus"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2016"]
[null,null,"ISBN",null,"9783839437377"]
[{"$nulls":4},"3839437377"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (194 pages) : illustrations"]
[null,null,"Collana",null,"Curatorial studies"]
[null,null,"Classificazione",null,"LI 99999"]
[null,null,"Disciplina",null,"709.2"]
[null,null,"Soggetti",null,"Oiticica"]
[{"$nulls":4},"Penetrável"]
[{"$nulls":4},"Penetráveis"]
[{"$nulls":4},"Performance"]
[{"$nulls":4},"White Cube"]
[{"$nulls":4},"Pavillon"]
[{"$nulls":4},"Curating"]
[{"$nulls":4},"Kuratieren"]
[{"$nulls":4},"Tropicália"]
[{"$nulls":4},"Experiment"]
[{"$nulls":4},"Art"]
[{"$nulls":4},"Kunst"]
[{"$nulls":4},"Museum"]
[{"$nulls":4},"Kunsttheorie"]
[{"$nulls":4},"Theory of Art"]
[{"$nulls":4},"Kunstgeschichte des 20. Jahrhunderts"]
[{"$nulls":4},"Art History of the 20th Century"]
[{"$nulls":4},"Südamerikanische Kunst"]
[{"$nulls":4},"South American Art"]
[{"$nulls":4},"Museology"]
[{"$nulls":4},"Museumswissenschaft"]
[{"$nulls":4},"Kunstwissenschaft"]
[{"$nulls":4},"Fine Arts"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","The Penetráveis are spectacular room installations created by the Brazilian artist Hélio Oiticica in the 1960s and '70s. They are experimental spaces that are only activated when used. Oiticica thus "]
[{"$nulls":4},"invented a format that continues to offer new potential for artistic interventions to this day. How does a Penetrável differ from other temporary exhibition formats? What challenges does it pose to curators? The first part of the book revolves around the political and artistic requisites for the Penetráveis. Part 2 explores the possibilities they offer today – based on the performance and film programme that took place as part of the Hélio Oiticica retrospective staged by the MMK Museum für Moderne Kunst Frankfurt am Main.Contributions by Daniel Birnbaum, Jochen Volz, Christoph Menke, Peter Gorschlüter, and others."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Inhalt    3 Vorwort / Foreword    7 Einleitung: Curating The Penetráveis / Introduction: Curating The Penetráveis    12 \"Propose To Propose\" - Überlegungen Zur Realisierung Des Penetrável PN 14 / \"Propose to Propose\" - Deliberations on The Realization of Penetrável PN 14    25 Gespräch Über Ausstellungsformate Jenseits Des White Cube: Penetráveis - Pavillons - Plattformen / A Conversation on Exhibition Formats Beyond The White Cube: Penetráveis - Pavilions - Platforms    31 Rolex / Rolex    41 Interview Mit César Oiticica Filho / Interview with César Oiticica Filho    52 Murmel Im Anus - Die Musik Der \"Tropicália\" / A Marble in an Anus - The Music of \"Tropicália\"    64 \"Er Muss Experimentieren\" - Die Kunst Im Gegenwärtigen Kapitalismus / \"He Must Experiment\" - Art in Present-Day Capitalism    78 Quasi Museum, Quasi Welt - Der Magic Square No. 5 Und Das Projekt Mit Dem Teatro Oficina in Inhotim / Quasi Museum, Quasi World - The Magic Square No. 5 and The Project with Teatro Oficina in Inhotim    92 Penetrável PN 14: Propositionen Zur Teilhabe 34 Jahre Später / The Penetrável PN 14: Propositions for Participation 34 Years Later    102 Katalog / Catalogue    111 Autoren / Authors    184 Literatur / Bibliography    187 Impressum    190 Backmatter    191"]
[null,null,null,"Sommario/riassunto","Die Penetráveis sind spektakuläre Rauminstallationen, die der brasilianische Künstler Hélio Oiticica in den 1960er und 1970er Jahren entwickelte. Sie sind Orte des Ausprobierens und werden erst durch Benutzung aktiviert. Oiticica hat damit ein Format erfunden, das bis heute immer neue Möglichkeiten für künstlerische Interventionen bietet. Was unterscheidet ein Penetrável von anderen temporären Ausstellungsformaten? Worin liegen seine kuratorischen Herausforderungen? Im ersten Teil des Buches geht es um die politischen und künstlerischen Voraussetzungen der Penetráveis. Der zweite Teil lotet ihre heutigen Möglichkeiten aus – anhand des Performance- und Filmprogramms, das im Rahmen der Oiticica-Retrospektive des MMK Museum für Moderne Kunst Frankfurt am Main stattgefunden hat.Mit Beiträgen u.a. von Daniel Birnbaum, Peter Gorschlüter, Jörg Heiser, Christoph Menke, César Oiticica Filho und Jochen Volz."]
[{"$nulls":4},"»Der Band leistet [...] eine Annäherung an Hélio Oiticicas Werk und Lesarten, die seine Penetráveis über eine historische Einordnung hinaus in der zeitgenössischen Rezeption verorten.«"]