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[null,"1.","Record Nr.",null,"UNINA9910136040903321"]
[null,null,"Titolo",null,"The Battle of Waterloo"]
[null,null,"Pubbl/distr/stampa",null,"New Word City, Inc"]
[null,null,"ISBN",null,"1-61230-911-9"]
[null,null,"Disciplina",null,"940.2/7"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","\"My system has changed - no more war, no more conquests,\" Napoleon announced after his escape from Elba in 1815. In the space of what is now known as the Hundred Days, the deposed French emperor was to demonstrate that nothing had changed. Only forty-six, he still possessed the ambition that made Europe quake at the news of his return to France, the magnetism that made men offering undying devotion swarm to his side, and the military genius that could plan, execute, and very nearly win a brilliant campaign against vastly superior odds.The battle that ended the career of the greatest conqueror of modern times was Waterloo. National Book Award winner J. Christopher Herold, a lifelong Napoleon scholar, tells the story of Waterloo with special emphasis on the emperor's role. But it is also the story of the Duke of Wellington, who led a mixed force of British, Belgian, Dutch, and Hanoverian troops in a masterly defensive operation.Like all military contests, Waterloo was a series of blunders and misunderstandings mixed with acts of heroism, timidity, and endurance. But because it permanently shattered Napoleon's dreams of conquest, Waterloo has a special place as one of the decisive battles in world history."]
[null,"2.","Record Nr.",null,"UNINA9910796914903321"]
[null,null,"Titolo",null,"In Arden : editing Shakespeare essays in honour of Richard Proudfoot / / edited by Ann Thompson and Gordon McMullan"]
[null,null,"Pubbl/distr/stampa",null,"London, [England] : , : Bloomsbury Arden Shakespeare, , 2003"]
[{"$nulls":4},"©2003"]
[null,null,"ISBN",null,"1-4742-4297-9"]
[null,null,"Descrizione fisica",null,"1 online resource (314 p.)"]
[null,null,"Collana",null,"Arden Shakespeare"]
[null,null,"Disciplina",null,"822.33"]
[null,null,"Soggetti",null,"Drama - Editing"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"Cover; Half-title; Series; Title; Copyright; Contents; List of contributors; Introduction; PART I: BIBLIOGRAPHY/THEORY OF EDITING; 1 Shakespeares various; 2 The continuing importance of New Bibliography; 3 Correct impressions: editing and evidence in the wake of post-modernism; 4 Early play texts: forms and formes; PART II: EDITING AND FEMINISM; 5 'To foster is not always to preserve': feminist inflections in editing Pericles; 6 Editing Desdemona; 7 Who is performing 'in' these text(s)?;  or, Shrew-ing around; PART III: EDITING AND STAGE PRACTICE; 8 To edit? To direct? - Ay, there's the rub"]
[{"$nulls":4},"9 Raw flesh/lion's flesh: a cautionary note on stage directions10 Reading in the moment: theatre practice as a guide to textual editing; 11 Annotating silence; PART IV: ANNOTATION AND COLLATION; 12 The social function of annotation; 13 The character of a footnote . . . or, annotation revisited; 14 To be or not to be; 15 Richly noted: a case for collation inflation; PART V: THE PLAYWRIGHT AND OTHERS; 16 Sources and cruces; 17 Topical forest: Kemp and Mar-text in Arden; 18 Some call him Autolycus; Appendix; Index"]
[null,null,null,"Sommario/riassunto","A collection of new and specially commissioned essays by an eminent team of Shakespeare scholars, focusing on the particular issues relating to the editing of Shakespeare and other Renaissance texts. The editing of dramatic and other literary texts has always been an important aspect of literary studies. In recent years, editing and the theoretical frameworks that underlie editing practices have become a lively and controversial focus of debate, sparked both by philosophical discussions on 'the death of the author' and by the technological "]
[{"$nulls":4},"challenges presented by the possibilities of electroni"]