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[null,"1.","Record Nr.",null,"UNINA9910135385303321"]
[null,null,"Autore",null,"Marinelli-König Gertraud <1950->"]
[null,null,"Titolo",null,"Die Böhmischen länder in den wiener zeitschriften und almanachen des Vormärz (1805-1848) . Teil III Kunst : tschechische nationale wiedergeburt, kultur- und landeskunde von Böhmen, Mähren und Schlesien, kulturelle beziehungen zu Wien / / Gertraud Marinelli-König"]
[null,null,"Pubbl/distr/stampa",null,"Vienna, Austria : , : Verlag der Österreichischen Akademie der Wissenschaften, , 2014"]
[null,null,"ISBN",null,"3-7001-7739-9"]
[null,null,"Descrizione fisica",null,"1 online resource (lvi, 426 pages)"]
[null,null,"Collana",null,"Österreichische Akademie der Wissenschaften. Philosophisch-Historische Klasse, Sitzungsberichte ; ; Band 855"]
[null,null,"Disciplina",null,"011.34"]
[null,null,"Soggetti",null,"Austrian periodicals - Austria - Vienna"]
[{"$nulls":4},"Public opinion - Austria"]
[{"$nulls":4},"Bohemia (Czech Republic) Civilization Bibliography"]
[{"$nulls":4},"Bohemia (Czech Republic) Relations Austria"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Once more we are made aware of the fact that during the first half of the 19th century Bohemian musicians performed successfully outside their home country, in Europe as well as in the New World and in the Russian Empire, including careers in Vienna and we also learn that the readers of Viennese journals in the first place of the “Theaterzeitung” got firsthand information about the repertoire of the theatres in Prague and of theatres elsewhere. Reports and reviews about the life in the applied arts in the Bohemian lands being a rather lesser known chapter of art history allow us an insight in this field. The volume in question offers a reach source of information concerning the history of music, applied and performing arts in the Bohemian lands under Habsburg rule in the first half of the 19th century from the perspective of Viennese media."]
[{"$nulls":4},"Das Wiener Vormarz-Slavica-Projekt am Institut fur Kulturwissenschaften und Theatergeschichte der Osterreichischen Akademie der Wissenschaften befasst sich mit der nichtpolitischen Metternich'schen Presse, indem es eine Auswertung im Hinblick auf eine spezifische Fragestellung liefert. Die vorliegende Publikation ist "]
[{"$nulls":4},"der dritte Teil des funften Bandes der daraus hervorgegangenen komparatistischen Reihe, betitelt: Die bohmischen Lander in den Wiener Zeitschriften und Almanachen des Vormarz (1805-1848). Tschechische nationale Wiedergeburt - Kultur- und Landeskunde von Bohmen, Mahren und Schlesien - Kulturelle Beziehungen zu Wien. Nachdem Teil I (2011) die Bereiche Belletristik und Pressewesen und Teil II (2013) die Bereiche Sprachwissenschaften - Philosophie, Asthetik, Rhetorik - Geschichte - Bildungsinstitutionen erschlossen haben, wird in Teil III das Material zu den Kunsten (Musik - Bildende Kunste - Darstellende Kunste) systematisch erfasst. Einmal mehr wird ins Gedachtnis gerufen, dass bohmische Musiker europaweit auftraten, auch die Neue Welt und das Russische Reich bespielten, besonders aber auch an den Wiener Buhnen teils an massgeblicher Stelle als Komponisten, Solisten oder Kapellmeister wirkten. Berichte uber die bildenden Kunste in den bohmischen Landern vermitteln einen Einblick in das zeitgenossische Kunstgeschehen. Es ist ein uberwiegend transnationaler Trend auszumachen. Notizen uber neuerrichtete Denkmaler verweisen auf Bestrebungen, im offentlichen Raum die habsburgische Macht symbolisch zu festigen, aber auch dem Landespatriotismus sichtbare Zeichen zu setzen. Das Theaterleben betreffend ist zu erfahren, dass die Leserschaft der Wiener Blatter, allen voran der Theaterzeitung, daruber im Bilde war, was in Prag gespielt wurde. Man erfuhr, dass Auffuhrungen von tschechischen Stucken und musiktheatralischen Produktionen mit Libretti in tschechischer Ubersetzung nur in beschranktem Rahmen (Nachmittagsvorstellungen) moglich waren. Uber das Repertoire des sogenannten bohmischen Theaters wurde en detail Bericht erstattet. Der vorliegende Band erschliesst reichhaltige Quellen zur Theater-, Musik- und Kunstgeschichte der Biedermeierzeit und schlagt ein bedeutendes Kapitel der Pressegeschichte auf."]
[null,"2.","Record Nr.",null,"UNINA9910321056303321"]
[null,null,"Autore",null,"Barrucand Victor"]
[null,null,"Titolo",null,"Émile Zola au pays de l'Anarchie / / Vittorio Frigerio"]
[null,null,"Pubbl/distr/stampa",null,"Grenoble, : UGA Éditions, 2018"]
[null,null,"ISBN",null,"2-37747-101-3"]
[null,null,"Descrizione fisica",null,"1 online resource (158 p.)"]
[null,null,"Soggetti",null,"Politics and literature - France - History - 19th century"]
[{"$nulls":4},"France Politics and government 1870-1940"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","La vie et la carrière d'Émile Zola, intellectuel public par excellence, ont été suivies avec un mélange de fascination et de méfiance par les militants anarchistes de son temps. Des grands succès romanesques à l'affaire Dreyfus, et de là jusqu'à sa mort imprévue, son parcours a été commenté, critiqué, admiré, par ces révolutionnaires intransigeants qui auraient aimé pouvoir compter sur un écrivain célèbre parmi les fervents de leur cause.  Cet ouvrage propose vingt-six articles parus dans la presse libertaire, précédés d'une étude historique, qui nous renvoient l'image d'un autre Zola que celui qui nous a été légué par l'histoire littéraire. Un Zola plus grand dans les défauts comme dans les qualités, un Zola tel qu'on a pu le lire, tel qu'on a pu le voir, le connaître, dans bien des cas lui parler, l'entendre. Un Zola tel qu'on a su l'imaginer et aussi un Zola qui a existé, à côté des autres qu'on connaît ou qu'on croyait connaître. Une autre Vérité qui est, elle aussi, en marche."]
[null,"3.","Record Nr.",null,"UNINA9910595060803321"]
[null,null,"Autore",null,"Braida Lodovica"]
[null,null,"Titolo",null,"Anonymity in Eighteenth-Century Italian Publishing : The Absent Author / / by Lodovica Braida"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022"]
[null,null,"ISBN",null,"9783031038983"]
[{"$nulls":4},"3031038983"]
[null,null,"Edizione",null,"[1st ed. 2022.]"]
[null,null,"Descrizione fisica",null,"1 online resource (229 pages)"]
[null,null,"Collana",null,"New Directions in Book History, , 2634-6125"]
[null,null,"Disciplina",null,"850.9006"]
[null,null,"Soggetti",null,"Literature, Modern - 18th century"]
[{"$nulls":4},"European literature"]
[{"$nulls":4},"Literature - History and criticism"]
[{"$nulls":4},"Printing"]
[{"$nulls":4},"Publishers and publishing"]
[{"$nulls":4},"Books - History"]
[{"$nulls":4},"Italy - History"]
[{"$nulls":4},"Eighteenth-Century Literature"]
[{"$nulls":4},"European Literature"]
[{"$nulls":4},"Literary History"]
[{"$nulls":4},"Printing and Publishing"]
[{"$nulls":4},"History of the Book"]
[{"$nulls":4},"History of Italy"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1 Introduction. The Absent Author: Functions and Uses of Anonymous Authorship -- Chapter 2 The Ambiguities of the “Author Function” -- Chapter 3 Anonymity in Travel Books -- Chapter 4 Giuseppe Parini: Between Anonymity and Revealing the Author’s Name -- Chapter 5 Carlo Goldoni and the Construction of Authorship -- Chapter 6 Novels: Read Them and Forget Them."]
[null,null,null,"Sommario/riassunto","This book focuses on the different forms in which authorship came to be expressed in eighteenth-century Italian publishing. It analyses both the affirmation of the “author function”, and, above all, its paradoxical opposite: the use of anonymity, a centuries-old practice present everywhere in Europe but often neglected by scholarship. The reasons "]
[{"$nulls":4},"why authors chose to publish their works anonymously were manifold, including prudence, fear of censorship, modesty, fear of personal criticism, or simple divertissement. In many cases, it was an ethical choice, especially for ecclesiastics. The Italian case provides a key perspective on the study of anonymity in the European context, contributing to the analysis of an overlooked topic in academic studies. Lodovica Braida is Professor of History of the Book at the University of Milan, Italy. Her work is devoted to the history of written culture and reading practices in early modernEurope, particularly in Italy, in a perspective of sociocultural history that dialogues with bibliography, literary criticism, and intellectual history."]