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[null,"1.","Record Nr.",null,"UNINA9910133474103321"]
[null,null,"Autore",null,"Stewart Philip <1940->"]
[null,null,"Titolo",null,"Éditer Rousseau : enjeux d'un corpus, 1750-2012 / / Philip Stewart"]
[null,null,"Pubbl/distr/stampa",null,"ENS Éditions, 2012"]
[{"$nulls":4},"France : , : ENS Éd, , 2012"]
[null,null,"ISBN",null,"2-84788-449-1"]
[null,null,"Descrizione fisica",null,"1 online resource (327 pages) : illustrations"]
[null,null,"Collana",null,"Mâetamorphoses du livre âEditer Rousseau"]
[null,null,"Soggetti",null,"Authors and publishers - History"]
[{"$nulls":4},"Publishers and publishing - History"]
[{"$nulls":4},"Romance Literatures"]
[{"$nulls":4},"Languages & Literatures"]
[{"$nulls":4},"French Literature"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction. Rousseau, l'homme de ses livres Vitam impendere libro? -- La construction d'une œuvre (1739-1764) -- Vers une édition \"générale\" (1764-1778) -- La Collection complète de Genève (1778-1789) -- La consécration révolutionaire (1788-1801) -- Le siècle de Musset-Pathay (1817-1900) -- Le métier d'éditeur -- De lettres en correspondance (1900-1995) -- Jalons pour une relance (1920-1960) -- Enfin la Pléiade (1959-1995)."]
[null,null,null,"Sommario/riassunto","Rousseau a toujours eu peur que ses œuvres ne soient falsifiées, si bien que le Rousseau qui parviendrait aux générations futures serait un autre que lui. Il fut, longtemps, le plus souvent opposé à Voltaire, sauf lorsqu’ils étaient considérés tous deux comme les représentants les plus glorieux ou les plus condamnables du siècle des Lumières. On suit d’abord ici, à travers sa correspondance et celle de ses imprimeurs et intermédiaires, sa lutte pour laisser ses œuvres en mains sûres, puis la longue histoire, au cours de plus de deux siècles et demi, des éditions collectives dans leurs incarnations nombreuses et controversées. Chaque édition représente, certes, un investissement financier, mais aussi une gageure artistique, idéologique, pédagogique voire politique. Cette comparaison diachronique permet de réunir des données dispersées dans quantité de bibliothèques et souvent cataloguées de manière inadéquate. On voit ainsi se dessiner une grande variété de formats, de présentations, de censures et de contenus. Enfin, le XXe "]
[{"$nulls":4},"siècle voit paraître des éditions plus scientifiques, ayant fait l’objet de nombreuses études qui trouvent leur aboutissement dans les dernières éditions publiées à l’occasion du tricentenaire de l’auteur.  Rousseau was always afraid that his works might be forged and that the Rousseau who reached future generations would be someone other than himself. Over a long period of time, he was most often in disagreement with Voltaire, except when they were both considered to be the most glorious or most reprehensible representatives of the Enlightenment. Firstly here, through his correspondence and that of his printers and intermediaries, we follow his struggle to leave his works in safe hands, and then the long story, covering more than two and a half centuries, of the editions of his collected works in their many and controversial incarnations. Each edition obviously represents a financial investment but also an artistic, ideological, pedagogical,…"]