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[null,"1.","Record Nr.",null,"UNINA9910133351003321"]
[null,null,"Autore",null,"Beffa Karol"]
[null,null,"Titolo",null,"Comment parler de musique [[electronic resource] ] : leçon inaugurale prononcée le jeudi 25 octobre 2012 / / Karol Beffa"]
[null,null,"Pubbl/distr/stampa",null,"Collège de France, 2013"]
[{"$nulls":4},"Paris : , : Fayard, , 2013"]
[null,null,"ISBN",null,"2-7226-0194-X"]
[null,null,"Collana",null,"Leðcons inaugurales du Colláege de France  Comment parler de musique?"]
[null,null,"Disciplina",null,"780"]
[null,null,"Soggetti",null,"Musical criticism - Historiography"]
[{"$nulls":4},"Music theory"]
[{"$nulls":4},"Music"]
[{"$nulls":4},"Music, Dance, Drama & Film"]
[{"$nulls":4},"Music Philosophy"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,null,"Sommario/riassunto","L’art meurt du commentaire sur l’art. Le commentaire envahit tout – souvent, hélas, au détriment de l’œuvre. Censée se suffire à elle-même, elle ne s’apprécie plus qu’assortie d’un discours. Pire : d’accessoire, le commentaire est devenu central – comme le pilier d’un art qui peinerait désormais à tenir debout tout seul ou qui, faute d’émouvoir, exigerait pour être senti filtres, écrans, médiations"]