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[null,"1.","Record Nr.",null,"UNINA990000413940403321"]
[null,null,"Autore",null,"Università degli studi di Trieste. Istituto di architettura e urbanistica"]
[null,null,"Titolo",null,"Atti del seminario : Tecniche di ricostruzione degli edifici e degli aggregati residenziali danneggiati dalterremoto del 6 maggio 1976. Udine 15-30 luglio 1976 / Università degli Studi di Trieste, Istituto di Architettura ed Urbanistica"]
[null,null,"Pubbl/distr/stampa",null,"Udine : s.n., 1976"]
[null,null,"Descrizione fisica",null,"170 p. ; 60 grafici"]
[null,null,"Disciplina",null,"659"]
[{"$nulls":4},"720.28"]
[null,null,"Locazione",null,"DINED"]
[null,null,"Collocazione",null,"08 D 44"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","In testa al front.: 1975-1976 quaderni"]
[null,"2.","Record Nr.",null,"UNINA9910706870003321"]
[null,null,"Titolo",null,"United States of America v. Internet Research Agency LLC [and 15 others], defendants : case 1:18-cr-00032-DLF"]
[null,null,"Pubbl/distr/stampa",null,"[Washington, D.C.] : , : United States District Court for the District of Columbia, , [2018]"]
[null,null,"Descrizione fisica",null,"1 online resource (37 unnumbered pages)"]
[null,null,"Soggetti",null,"Trials (Fraud) - United States"]
[{"$nulls":4},"Presidents - United States - Election - 2016"]
[{"$nulls":4},"Online trolling - Russia (Federation)"]
[{"$nulls":4},"False personation - United States"]
[{"$nulls":4},"Elections - Corrupt practices - United States"]
[{"$nulls":4},"United States Trials, litigation, etc"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"Assign date: 2/16/2018.\""]
[{"$nulls":4},"\"Robert S. Mueller, III, Special Counsel.\""]
[null,"3.","Record Nr.",null,"UNINA9910131792203321"]
[null,null,"Titolo",null,"La vie filmique des marionnettes"]
[null,null,"Pubbl/distr/stampa",null,"Presses universitaires de Paris Nanterre, 2008"]
[{"$nulls":4},"[Place of publication not identified], : Presses universitaires de Paris Ouest, 2008"]
[null,null,"ISBN",null,"2-8218-2675-3"]
[{"$nulls":4},"2-8218-1791-6"]
[null,null,"Descrizione fisica",null,"1 online resource (317 pages)"]
[null,null,"Collana",null,"Arts"]
[null,null,"Soggetti",null,"Music, Dance, Drama & Film"]
[{"$nulls":4},"Film"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Sommario/riassunto","DES PREMIERS FILMS Pathé aux écrans numériques, la marionnette a connu une vie filmique à éclipses, surgissant soudain et par éclats chez les plus grands, de Chaplin à Roberto Benigni, de Renoir et Bergman à Spielberg, Kitano et Tim Burton. Longtemps confinée dans l’animation, elle connaît aujourd’hui un spectaculaire retour sur les écrans du monde entier. Plus subversive que mélancolique, elle est cette créature double qui ne cesse de se libérer des liens qui l’assujettissent, dans le mutisme et l’humiliation, au Montreur ventriloque, au Père, au Deus/Diabolus ex machina. Elle est au cinéaste, à l’acteur, au spectateur ce que le Sphinx est à Œdipe : riche d’une vie sauvage, obscène, archaïque à laquelle il leur faut un temps se confronter. À travers ces corps de frontière en constantes mutations, les miroirs grossissants du cinéma nous renvoient les images libératrices d’une modernité en travail, entre retours à l’enfance, métamorphoses burlesques et passages vers d’inquiétantes ou sublimes étrangetés. Pour sortir de l’ombre la vie filmique des marionnettes, Laurence Schifano, Professeur d’Études cinématographiques à l’Université Paris 10, a rassemblé ici des historiens et des chercheurs dont les domaines de recherche se situent aux confins de la psychanalyse, de la littérature, du théâtre et du cinéma."]