{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":19,"n_cols":5,"rows_kept":19,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[15,2,15,3],[16,2,16,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910131507703321"]
[null,null,"Autore",null,"Ambroise Jean-Charles"]
[null,null,"Titolo",null,"Les cultes médiatiques : Culture fan et œuvres cultes / / Philippe Le Guern"]
[null,null,"Pubbl/distr/stampa",null,"Rennes, : Presses universitaires de Rennes, 2015"]
[null,null,"ISBN",null,"2-7535-3740-2"]
[null,null,"Descrizione fisica",null,"1 online resource (240 p.)"]
[null,null,"Soggetti",null,"Art"]
[{"$nulls":4},"Sociology"]
[{"$nulls":4},"culture de masse"]
[{"$nulls":4},"séries télévisées"]
[{"$nulls":4},"sociologie des media"]
[{"$nulls":4},"sociologie de l'art"]
[{"$nulls":4},"fans"]
[{"$nulls":4},"culture populaire"]
[{"$nulls":4},"arts du spectacles"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","X Files, Friends, Jimmy Hendrix ou Les Tontons flingueurs… le culte a envahi tous les domaines, du cinéma à la musique, du livre à la télévision. Mais le culte n'est pas simplement une expression passe-partout : il nous invite aussi à analyser de nouveaux modes de rapport aux œuvres. Quelle signification accorder à ce terme issu du champ religieux et appliqué aux publics des grands médias contemporains ? Quelle représentation des publics apparaît à travers cette notion ?"]