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[null,"1.","Record Nr.",null,"UNINA9910131387603321"]
[null,null,"Autore",null,"Gouyon Marie"]
[null,null,"Titolo",null,"Les femmes dans la création audiovisuelle et de spectacle vivant : Les auteurs de la SACD percevant des droits en 2011 / / Marie Gouyon"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Département des études, de la prospective et des statistiques, 2014"]
[null,null,"ISBN",null,"2-11-139818-7"]
[null,null,"Descrizione fisica",null,"1 online resource (16 p.)"]
[null,null,"Soggetti",null,"Arts &amp; Humanities"]
[{"$nulls":4},"Business"]
[{"$nulls":4},"emploi culturel"]
[{"$nulls":4},"féminisation"]
[{"$nulls":4},"spectacle"]
[{"$nulls":4},"SACD"]
[{"$nulls":4},"INSEE"]
[{"$nulls":4},"inégalités"]
[{"$nulls":4},"cultural employment"]
[{"$nulls":4},"feminization"]
[{"$nulls":4},"INSEE (National Institute of statistics and economic studies)"]
[{"$nulls":4},"performing art"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","En 2011, les femmes représentent 29 % des auteurs de la SACD et reçoivent 24 % des droits versés. Une femme perçoit ainsi, en 2011, un revenu moyen inférieur de 24 % à celui d’un homme. Les écarts de droits versés entre femmes et hommes trouvent plusieurs éléments d’explication : les femmes participent à moins d’œuvres que les hommes, en particulier dans le cinéma, le théâtre et les arts de la rue. Elles n’exercent pas non plus les mêmes fonctions, et sont ainsi plus souvent auteurs de texte ou chorégraphes que réalisatrices ou compositrices. À discipline et fonction égales, les écarts de rémunération sont pratiquement inexistants dans la radio et la télévision, mais subsistent dans le cinéma et le spectacle vivant : ces écarts persistants peuvent être liés à d’autres facteurs comme, par exemple, une fréquentation "]
[{"$nulls":4},"des spectacles ou une programmation des œuvres moins importante, dans des lieux de représentation ou sur des canaux de diffusion différents et à des horaires moins favorables.  In 2011, women represented 29% of SACD authors and received 24% of the royalties paid. As a result, in 2011, a woman received an average income 24% less than that for a man. The diﬀerences in royalties between men and women can be explained in several ways: women participate in fewer works than men, in particular in the cinema, theatre and street arts. Neither do they perform the same functions, and so are more often text authors or choreographers than directors or composers. For the same discipline and function the diﬀerences in remuneration are practically non-existent in radio and television, but live on in cinema and live shows: these persistent diﬀerences can be linked to other factors, such as, for example, lower audience numbers or programming of works, in diﬀerent performance venues or on diﬀerent distribution channels and at less favourable times."]
[null,"2.","Record Nr.",null,"UNINA9910830179103321"]
[null,null,"Autore",null,"Melin Mark H"]
[null,null,"Titolo",null,"High-performance managed futures [[electronic resource] ] : the new way to diversify your portfolio / / Mark H. Melin"]
[null,null,"Pubbl/distr/stampa",null,"Hoboken, N.J., : John Wiley & Sons, 2010"]
[null,null,"ISBN",null,"0-470-88685-4"]
[{"$nulls":4},"1-282-77344-5"]
[{"$nulls":4},"9786612773440"]
[{"$nulls":4},"1-118-26768-0"]
[{"$nulls":4},"0-470-88684-6"]
[null,null,"Descrizione fisica",null,"1 online resource (323 p.)"]
[null,null,"Collana",null,"Wiley finance series ; ; 598"]
[null,null,"Disciplina",null,"332.64/52"]
[{"$nulls":4},"332.6452"]
[null,null,"Soggetti",null,"Portfolio management"]
[{"$nulls":4},"Investments"]
[{"$nulls":4},"Risk"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"High-Performance Managed Futures: The New Way to Diversify Your Portfolio; Contents; Preface; Acknowledgments; Disclaimer; Chapter 1: Understand It: The Truth about Risk and Misunderstood Investments; Chapter 2: Define It: Establish Performance and Risk Targets; Chapter 3: Work With It: Build Basic Portfolios Using Targets; Chapter 4: Realize It: The Old Way versus High Performance; Chapter 5: Don't Be a Victim: Leverage Managed Futures Regulation and Account Structure to Avoid Hedge Fund Fraud; Chapter 6: Recognize It: Volatility + Volatility and Lintner's Message"]
[{"$nulls":4},"Chapter 7: Use It: Reward-Adjusted Deviation (RAD) Considers Past Probability and Rewards SuccessChapter 8: Protect it: Principal-Protected, Conservative, and Risky Investments; Chapter 9: Use All of It: Overlooked Points of Correlation; Chapter 10: Build It: CTA Evaluation and Portfolio Construction; Chapter 11: Understand It: The Naked Truth Behind Managed Futures Risk; Chapter 12: Don't Sit Back: Active Management of Risky Investments; Appendix A: HPFM Strategy Benchmark Performance Study; Appendix B: Twelve Questions Investors Should Ask . . . of Themselves"]
[{"$nulls":4},"Appendix C: Selecting a Commodity Trading AdvisorAppendix D: "]
[{"$nulls":4},"Identifying True Risk and Utilizing the Best Managed Futures Performance Measure; Appendix E: Regulated versus Unregulated Entities; Appendix F: Markowitz and Lintner: A \"Modern\" Investment Method Half a Century Old; Notes; About the Author; Index"]
[null,null,null,"Sommario/riassunto","A provocative and insightful look at using managed futures to diversify investment portfolios  Financial advisors have long ignored managed futures. Yet, in the past thirty years, managed futures have significantly outperformed traditional stock and bond investments. In High-Performance Managed Futures: The New Way to Diversity Your Portfolio, author Mark H. Melin advises investors to question the commonly held belief of stocks and bonds, buy and hold. The first book of its kind, Melin advances a Nobel Prize winning investment method that's been updated for today's world to describ"]