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[null,"1.","Record Nr.",null,"UNINA9910131382503321"]
[null,null,"Autore",null,"Gouyon Marie"]
[null,null,"Titolo",null,"Diversité des carrières d’auteur de l’audiovisuel et du spectacle vivant : Les auteurs de la SACD, 1997-2008 / / Marie Gouyon"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Département des études, de la prospective et des statistiques, 2014"]
[null,null,"ISBN",null,"2-11-139854-3"]
[null,null,"Descrizione fisica",null,"1 online resource (32 p.)"]
[null,null,"Soggetti",null,"Arts &amp; Humanities"]
[{"$nulls":4},"Business"]
[{"$nulls":4},"SACD"]
[{"$nulls":4},"droits d'auteur"]
[{"$nulls":4},"économie de la culture et de la communication"]
[{"$nulls":4},"professionnalisation"]
[{"$nulls":4},"revenus"]
[{"$nulls":4},"spectacle"]
[{"$nulls":4},"audiovisuel"]
[{"$nulls":4},"INSEE"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","En 2008, la Société des auteurs et compositeurs dramatiques (SACD) a versé 136 millions d’euros de droits à 17 700 auteurs et compositeurs dramatiques. Entre 1997 et 2008, les répertoires gérés par la SACD ont beaucoup évolué, en particulier celui de l’audiovisuel, du fait des mutations technologiques intervenues depuis la fin des années 1990 dans ce secteur : apparition puis généralisation de la télévision numérique terrestre (TNT), développement des chaînes thématiques, etc. Les auteurs se distinguent nettement les uns des autres selon le répertoire (audiovisuel ou spectacle vivant) auquel ils participent, leur durée et leur volume de production, leur niveau de contributions aux diffusions et aux représentations, ainsi par les montants de droits perçus. La population des auteurs et compositeurs dramatiques reste âgée et très masculine, bien que les femmes y soient de plus en plus nombreuses.  In 2008, SACD, France’s society of dramatic authors and "]
[{"$nulls":4},"composers (Société des auteurs et compositeurs dramatiques) paid out 136 million euros in royalties to 17,700 dramatic authors and composers. Between 1997 and 2008, the repertoire range managed by SACD has changed considerably, particularly that within the audiovisual field, due to changing technologies within the field since the 1990s, such as France’s national digital terrestrial service TNT (Télévision Numérique Terrestre), the emergence of specialist channels etc. Authors are clearly differentiated from each other depending on their repertoire field (audiovisual or live entertainment), their career span and output, their level of contributions to broadcasts and productions, as well as the royalty amounts received. The dramatic author and composer population remains relatively old and markedly male, although its female contingent is growing."]