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[null,"1.","Record Nr.",null,"UNINA990009935290403321"]
[null,null,"Autore",null,"Franciosa, Luchino <1887-1983>"]
[null,null,"Titolo",null,"San Mango Piemonte [Risorsa grafica] / L. Franciosa"]
[null,null,"Pubbl/distr/stampa",null,"S. l. : s. n., 1964"]
[null,null,"Descrizione fisica",null,"1 fotografia : b/n ; 95 x 55 mm"]
[null,null,"Locazione",null,"ILFGE"]
[null,null,"Collocazione",null,"Scat. Fondi 03 Busta 01(037)"]
[{"$nulls":4},"Scat. Fondi 03 Busta 01(037)bis"]
[{"$nulls":4},"Scat. Fondi 03 Busta 01(037)ter"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Grafica"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Posseduta dal prof. M. Fondi"]
[{"$nulls":4},"Montata su foglio manoscritto per menabò della pubblicazione: La casa rurale nella Campania, Firenze, 1964"]
[null,"2.","Record Nr.",null,"UNINA9910765818203321"]
[null,null,"Autore",null,"McEwan Dorothea"]
[null,null,"Titolo",null,"Fritz Saxl--eine Biografie : Aby Warburgs Bibliothekar und erster Direktor des Londoner Warburg Institutes / / Dorothea McEwan"]
[null,null,"Pubbl/distr/stampa",null,"Wien : , : Böhlau Verlag, , 2012"]
[null,null,"ISBN",null,"9783205788638"]
[null,null,"Descrizione fisica",null,"1 online resource (344 pages ) : 36 illustrations"]
[null,null,"Soggetti",null,"Art critics - Germany"]
[{"$nulls":4},"Librarians - Germany"]
[{"$nulls":4},"Visual Arts"]
[{"$nulls":4},"Art, Architecture & Applied Arts"]
[{"$nulls":4},"Visual Arts - General"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Schule und Studium -- Die Warburg-Boll-Saxl-Kontakte -- Das erste Forschungsstipendium der Heidelberger Akademie, Frühjahr 1913 -- Das zweite Forschungsstipendium der Heidelberger Akademie, Frühjahr 1914 -- Krieg und Front, Forschung und Hoffnungslosigkeit -- Die Ausstellungstätigkeit im Nachkriegsösterreich -- Saxl als stellvertretender Leiter der Bibliothek Warburg, 1920-1924 -- Die Rezensionen zu Warburgs Lutherbuch -- Wissenschaftliche Zusammenarbeit in Kreuzlingen -- Die Funktion eines Forschungsinstitutes : zur Turmterminologie -- Distanz oder Nähe zur Wiener Schule der Kunstgeschichte? -- Die Zusammenarbeit mit Warburg von 1924 bis 1929 -- Exkurs : das Claudius-Civilis-Thema -- Exkurs : Astrologiegeschichte -- Exkurs : der Mnemosyneatlas und die \"Wanderstraßen\" -- \"Saxl, à vapeur!\" Reisen, Forschungsaufenthalte und Funde -- Holbein -- Rembrandt -- Das Sudhoffinstitut in Leipzig -- Velazquez -- Herbst 1927 --"]
[{"$nulls":4},"Dienstherrliches Eingreifen -- Manoahs Opfer -- Saxls \"way with words\" -- Die beiden letzten Jahre als Bibliotheksleiter, 1928-29 -- Die Arbeit in der KBW nach Warburgs Tod 1929 und die Übersiedlung der Bibliothek nach London 1933 -- Mithras : Typengeschichtliche Untersuchungen -- Die Übersiedlung zeichnet sich ab -- \"Hermia schwimmt!\" -- Das Warburg Institute schlägt Wurzeln -- Bibliographie zum Nachleben der Antike -- Von 1936 bis 1944 -- Unterstützung "]
[{"$nulls":4},"Hilfe suchender Ausländer -- Die Freundschaft zwischen Saxl und Panofsky -- Die Institutsarbeit im 2. Weltkrieg und Saxls letzte Jahre -- Abschließende Würdigung -- ; Bildteil -- ; Anhang I : Bibliografie und nachgelassene Schriften von Fritz Saxl -- ; Anhang II : Ausgewählte Briefe und Texte -- Max Dvořáks : Begutachtung der Dissertation des cand. phil. Friedrich Saxl. Rembrandt-Studien --"]
[{"$nulls":4},"Beilage zum Brief von Saxl an Warburg vom 12.3. 1915 : Max Dvořáks Entwurf eines \"Offenen Briefes an die italienischen Fachgenossen\" -- Brief von Saxl an Warburg, 8.4.1915 -- Brief von Warburg an Saxl, 15.4. 1915 -- Max Dvořáks : ein Brief an die italienischen Fachgenossen\" -- Fritz Saxl : \"Demokratie und Pflege der bildenden Kunst\" -- Brief von Saxl an Dr. Hugo Stern, 25. 11. 1920 -- Brief von Warburg an Saxl, 1.7. 1921 -- Brief von Saxl an Paul Warburg, New York, 5.8. 1926 -- Rezension von Guido Calogero zu Fritz Saxls \"Antike Götter in der Spätrenaissance\" -- Englische Zusammenfassung des auf französisch geschriebenen Artikels von Fritz Saxl, \"Une grande institution d'histoire de l'art : La library Witt\" -- Rezension von Hubert Przechlewski, genannt Pruckner, zu Fritz Saxls \"Verzeichnis astrologischer und mythologischer illustrierter Handschriften\" -- Zwei Briefe zum museologischen Konzept Sauerlandts --"]
[{"$nulls":4},"Fritz Saxls Nachruf \"A. Warburg\", in Frankfurter Zeitung, 9.11.1929 -- Fritz Saxl : \"Die Kulturwissenschaftliche Bibliothek Warburg in Hamburg\" -- Brief von Saxl an James Loeb, 18.1. 1932 -- Lehrveranstaltungen nach den Vorlesungsverzeichnissen der Hamburgischen Universität, 1922-23 bis 1933 -- Fritz Saxls Doktoranden nach dem Doktoralbum der philosophischen Fakultät der Hamburgischen Universität -- Drei Briefe zum Projekt der Übersiedlung nach London -- Vorlesungszyklen und Vorträge 1934-35 -- Vorlesungszyklen und Vorträge 1936 -- Brief von Saxl an Lord Lee, 12.7.1936 -- Vorlesungsprogramm Sommersemester 1937 -- Vorlesungsprogramm Sommersemester 1939 -- Entwurf von Fritz Saxl : Biography of Warburg. Ca. 1944 -- ; Anhang III : Varia -- Trust Deed, 28.11.1944. Handschriftlich. WIA -- E.H. Gombrich, \"Introduction\", in a heritage of images -- ; Anhang IV : Liste der Rezensionen zu Warburgs Buch Heidnisch-antike Weissagungen -- ; Danksagung --"]
[{"$nulls":4},"; Abbildungsnachweis -- ; Literaturverzeichnis -- ; Namensverzeichnis."]
[null,null,null,"Sommario/riassunto","Aby Warburg (1866-1929), the celebrated Hamburg art historian, who broke new ground with his research into Renaissance art history, found in Fritz Saxl (1890-1948), art historian, head librarian and finally his successor as director of Warburg's library and later the Warburg Institute, a scholar who contributed to the shaping of a pluridisciplinary understanding of research. Through Saxl's research of problems of Late Antiquity and the Middle Ages he gave important impulses to the scholarly understanding of intellectual history. Saxl, who extended the library system of the \"good neighbourliness\" of books, demonstrated his organizational thinking and strategies, which anticipated the use of hyperlinks - albeit without today's electronic technology. It was Saxl who turned Warburg's library from a private library into the centre of an international network for scholars. He spoke of himself as the wanderer through the museums and libraries of Europe, an agricultural worker who worked the piece of ground between history of art, literature, science and religion. Saxl's own research agenda was multifarious, the history of astrology, of mythology, in particular the research into illuminated astrological and mythological manuscripts of the Middle Ages, gleaned from archives all over Europe and published in three comprehensive Verzeichnisse. He further worked on religions of classical antiquity, the transition from pagan to Christian traditions, Mithras as well as art historical topics, Bellini, Titian. His life-long great "]
[{"$nulls":4},"admiration for Rembrandt found expession in a number of publications. 17th century art history, English medieval sculpture and his last great interest, seals, completed his scholarly output. But next to these research topics his achievements in the fields of organization were the area in which Saxl truly excelled. Warburg, although he spoke of him as the \"junior partner\", admired his scholarly honesty and thoroughness, but ultimately underestimated his achievements in administration and organization; these alone made it possible that the private library of Warburg could be consolidated into a internationally approved institute of teaching and research in Germany, and then in Great Britain. As Warburg's successor Saxl both kept as close as possible to Warburg's method as well as break fresh ground. Saxl was a truly original thinker, a congenial teacher, very demanding to his students and colleagues, but also fiercely supportive, for instance, to Roger Hinks, when he lost his post at the British Museum in the course of the affair of the cleaning of the Elgin Marbles. He employed Anthony Blunt as editor of the Warburg Institute publications, he brought Ernst H. Gombrich from Vienna to London in 1936. He was a great example to the young art historian John Pope-Hennessy, later Director of the Victoria and Albert Museum and the British Museum. Today, the Warburg Institute is a post-graduate research institute specializing in researching cultural and intellectual history, a forum for scholars and students. The fact that teaching and research could be kept up in Hamburg until 1933 and resumed in London from 1934 onward, speaks for the personal commitment of the employees and above all for Saxl;s intellectual courage and sense for practical solutions. His unstinting effort and dedication were certainly reasons for Saxl's early death at 58 years of age."]