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[null,"1.","Record Nr.",null,"UNINA990003280440403321"]
[null,null,"Titolo",null,"LOMBARDIA"]
[null,null,"Pubbl/distr/stampa",null,"Milano : Giuffrè, 1967"]
[null,null,"Edizione",null,"[1]"]
[null,null,"Descrizione fisica",null,"pp.291"]
[null,null,"Disciplina",null,"021.011"]
[null,null,"Locazione",null,"DECGE"]
[null,null,"Collocazione",null,"021.011.LOM"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA990006714630403321"]
[null,null,"Autore",null,"Baldacci, Osvaldo <1914-2007>"]
[null,null,"Titolo",null,"Educazione geografica permanente / Osvaldo Baldacci"]
[null,null,"Pubbl/distr/stampa",null,"Bologna : Patron, 1982"]
[null,null,"Descrizione fisica",null,"22 cm, pp. 331"]
[null,null,"Collana",null,"Geografia ed organizzazione dello sviluppo territoriale ; 7"]
[null,null,"Locazione",null,"FSPBC"]
[null,null,"Collocazione",null,"COLLEZ. 736 (7)"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910461602703321"]
[null,null,"Titolo",null,"The processing and acquisition of reference [[electronic resource] /] / edited by Edward A. Gibson and Neal J. Pearlmutter"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, Mass., : MIT Press, 2011"]
[null,null,"ISBN",null,"1-283-11924-2"]
[{"$nulls":4},"9786613119247"]
[{"$nulls":4},"0-262-29588-1"]
[null,null,"Descrizione fisica",null,"1 online resource (452 p.)"]
[null,null,"Collana",null,"Bradford book"]
[null,null,"Disciplina",null,"401/.456"]
[null,null,"Soggetti",null,"Reference (Linguistics)"]
[{"$nulls":4},"Language acquisition"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","This volume presents papers from the special session at the CUNY Sentence Processing conference that was hosted by MIT and Northeastern University in 2003."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover ; Contents; 1 Introduction; I Children's Acquisition and Processing of Reference; 2 Cues Don't Explain Learning; 3 Children's Use of Context in Ambiguity Resolution; 4 Referential and Syntactic Processes; 5 Parsing, Grammar, and the Challenge of Raising Children at LF; 6 A Cross-Linguistic Study on the Interpretation of Pronouns by Children and Agrammatic Speakers; 7 Processing or Pragmatics?; II Adults' Processing of Reference; 8 Disfluency Effects in Comprehension; 9 It's Not What You Said, It's How You Said It; 10 The Effect of Speaker-Specific Information on Pragmatic Inferences"]
[{"$nulls":4},"11 Referential Processing in Monologue and Dialogue with and without Access to Real-World ReferentsIII Adults' Processing of Reference; 12 Noun-Phrase Anaphor Resolution; 13 Investigating the Interpretation of Pronouns and Demonstratives in Finnish; 14 Not All Subjects Are Born Equal; 15 Complement Focus and Reference Phenomena; 16 The Binding Problem for Language, and Its Consequences for the Neurocognition of Comprehension; Index"]
[null,null,null,"Sommario/riassunto","This book brings together contributions by prominent researchers in the fields of language processing and language acquisition on topics of common interest: how people refer to objects in the world, how people comprehend such referential expressions, and how children acquire the "]
[{"$nulls":4},"ability to refer and to understand reference."]
[null,"4.","Record Nr.",null,"UNINA9910495989103321"]
[null,null,"Autore",null,"Aksionova Galina"]
[null,null,"Titolo",null,"Lioubimov : La Taganka / / Béatrice Picon-Vallin"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : CNRS Éditions, 2020"]
[null,null,"ISBN",null,"2-271-12846-3"]
[null,null,"Descrizione fisica",null,"1 online resource (472 p.)"]
[null,null,"Collana",null,"Arts du spectacle"]
[null,null,"Soggetti",null,"Theater"]
[{"$nulls":4},"théâtre"]
[{"$nulls":4},"Moscou"]
[{"$nulls":4},"Russie"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Nommé directeur artistique du Théâtre de la Taganka à Moscou en 1964, louri Lioubimov est l’un des metteurs en scène les plus significatifs des décennies 60-70. L’histoire de la Taganka constitue alors à la fois un moment capital de l’histoire du théâtre et de la société russes et soviétiques, et un cas représentatif du théâtre de résistance dans les pays communistes.  La distance est aujourd’hui propice pour y revenir : ni trop près, ni trop loin encore de ce théâtre « effervescent » qui, au début des années 90, après les transformations à l’Est, perdit sa raison d’être, malgré le retour de son directeur, destitué et exilé en 1984. Les traces sont nombreuses et les témoins vivants, ce qui permet l’enquête avant l’analyse. L’enthousiasme s’est apaisé, mais la formidable aventure théâtrale n’a pas sombré dans l’oubli ni dans les querelles intestines qui, en 1992, ont abouti à la division de la troupe en deux.  La scène poétique et politique de Lioubimov permet d’aborder des problèmes esthétiques spécifiques : celui d’un théâtre « sans pièces », montage de textes en prose, classique ou contemporaine, celui de la mise en scène « métaphorique ». Mais dans la mesure où sa pratique est déterminée par les rapports entretenus avec le pouvoir, l’idéologie, les instances de censure, la dissidence, et surtout par la relation essentielle, vitale, que la Taganka tisse avec son public, les questions artistiques se doublent toujours de questions touchant au fonctionne­ment de la société et à l’organisation politique. En URSS, la Taganka a été au cœur d’une problématique de la mémoire.  "]
[{"$nulls":4},"L’œuvre que louri Lioubimov a réalisée à la Taganka de 1964 à 1984, en rassemblant autour de lui une pléiade de grands écrivains et compositeurs, le scénographe David Boroski et une troupe unique où jouait le chanteur-poète Vladimir Vyssotski, a représenté un espace de liberté authentique dans le contexte de la stagnation brejnévienne. Elle peut aussi constituer un instrument de réflexion pour la…"]