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[null,"1.","Record Nr.",null,"UNINA990006596540403321"]
[null,null,"Titolo",null,"NEW trends in the development of international commercial arbitration and the role of arbitral and other institutions / general editor Pieter Sanders ; with the cooperation of the Asser Institute for International Low, The Hague"]
[null,null,"Pubbl/distr/stampa",null,"Deventer : Kluwer, 1983"]
[null,null,"Descrizione fisica",null,"XII, 393 p., 24 cm"]
[null,null,"Collana",null,"ICCA. Congress Series ; 1"]
[null,null,"Locazione",null,"DEC"]
[{"$nulls":4},"FSPBC"]
[null,null,"Collocazione",null,"DI L-24"]
[{"$nulls":4},"III N2 43"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","In testa al front.:International council for commercial arbitration.[7 International arbitration Congress. Hamburg, 1982]"]
[null,"2.","Record Nr.",null,"UNINA9910795439503321"]
[null,null,"Autore",null,"Tiidenberg Katrin"]
[null,null,"Titolo",null,"Selfies : why we love (and hate) them / / by Katrin Tiidenberg"]
[null,null,"Pubbl/distr/stampa",null,"Bingley : , : Emerald Publishing Limited, , [2018]"]
[{"$nulls":4},"©2018"]
[null,null,"ISBN",null,"1-78754-359-5"]
[{"$nulls":4},"1-78754-357-9"]
[null,null,"Descrizione fisica",null,"1 online resource (169 pages)"]
[null,null,"Collana",null,"SocietyNow"]
[null,null,"Disciplina",null,"302.30285"]
[null,null,"Soggetti",null,"Selfies (Photography) - Social aspects"]
[{"$nulls":4},"Social media - Research"]
[{"$nulls":4},"Digital images - Social aspects"]
[{"$nulls":4},"Self-portraits - Social aspects"]
[{"$nulls":4},"Social Science - Media Studies"]
[{"$nulls":4},"Popular culture"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,null,"Sommario/riassunto","This book brings a rich and nuanced analysis of selfie culture. It shows how selfies gain their meanings, illustrates different selfie practices, explores how selfies make us feel and why they have the power to make us feel anything, and unpacks how selfie practices and selfie related norms have changed or might change in the future. As humans, we have a long history of being drawn to images, of communicating visually, and being enchanted with (our own) faces. Every day we share hundreds of millions of photos on Facebook, Instagram and Snapchat. Selfies are continually and passionately talked about. People take vast amounts of selfies, and generate more attention than most other social media content. But selfies are persistently attacked as being unworthy of all of this attention: they lack artistic merit; indicate a pathological fascination with one's self; or attribute to dangerously stupid behaviour. This book explores the social, cultural and technological context surrounding selfies and their subsequent meaning."]