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[null,"1.","Record Nr.",null,"UNINA990006394330403321"]
[null,null,"Autore",null,"Scherrer, Christian Emil"]
[null,null,"Titolo",null,"Die internationale Behandlung bedingt Verurteilter : In Erwartung des Europaischen Ubereinkommes... / Christian Emil Scherrer"]
[null,null,"Pubbl/distr/stampa",null,"Diessenhofen : Ruegger, 1977"]
[null,null,"Locazione",null,"FGBC"]
[null,null,"Collocazione",null,"DISSERT. A 1886"]
[null,null,"Lingua di pubblicazione",null,"Non definito"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910153168703321"]
[null,null,"Autore",null,"Schincariol Andrea"]
[null,null,"Titolo",null,"Le dispositif photographique chez Maupassant, Zola et Céard : chambres noires du naturalisme"]
[null,null,"Pubbl/distr/stampa",null,"[Place of publication not identified], : L'Harmattan, 2014"]
[null,null,"ISBN",null,"9782336709543"]
[{"$nulls":4},"2336709546"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (194 pages)"]
[null,null,"Collana",null,"Laboratorio@francesisti.it Le dispositif photographique chez Maupassant, Zola et Câeard"]
[null,null,"Disciplina",null,"840"]
[null,null,"Soggetti",null,"Literature and photography - History - 19th century - France"]
[{"$nulls":4},"French literature - 19th century - History and criticism"]
[{"$nulls":4},"Photography in literature"]
[{"$nulls":4},"Naturalism in literature"]
[{"$nulls":4},"Romance Literatures"]
[{"$nulls":4},"Languages & Literatures"]
[{"$nulls":4},"French Literature"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,"Nota di contenuto",null,"Photo littérature -- De la photographie au \"photographique\" -- Une étude relationnelle -- Naturalisme et photographie -- Photographie : modèle, anti-modèle, recadrage -- Naturalisme et études photolittéraires. Un état des lieux -- Le Horla : le fantastique photographique -- L'avant-scène de l'hypnose -- Le portrait (I) : identification et duplication -- Le portrait (II) : déréalisation photographique -- La scène du miroir -- Système épistémologique : voir/connaître -- Perte de vue, perte de vie -- Scène du miroir et photographie -- La chambre noire de la nouvelle -- Dissémination du dispositif photographique -- Le Horla comme portrait composite -- Identification/Identité -- Nana mise à nu -- Corps naturaliste, corps photographique -- La chair centrale -- La photographie comme machine obscène -- Nana : le \"poème des désirs du mâle\" -- Le roman de la séduction -- Le théâtre comme boîte à images -- Nana et la photo dans le texte -- La \"cage en verre bleu\" -- Autres symptômes photographiques -- Machination(s) du dispositif photographique -- Le modèle positif-négatif -- Le modèle projectif -- Le modèle stéréoscopique -- Nana, ou le sexe rayonnant -- Henry Céard : "]
[{"$nulls":4},"platitudes photographiques -- Le corpus -- Les romans de l'échec -- La \"partition romanesque\" chez Céard -- Symptômes descriptifs -- Une belle journée -- Statut de la description -- Médiocrité et platitude -- Fonctions de la photographie -- L'écran comme support de la description -- Terrains à vendre au bord de la mer -- Charlescot, photographe-amateur -- La chambre de Malbar comme boîte à images -- Vers une poétique de l'aberration -- Le pictorialisme : modèle photographique de l'aberration."]