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[null,"1.","Record Nr.",null,"UNINA990005689570403321"]
[null,null,"Autore",null,"Kaigetsudo"]
[null,null,"Titolo",null,"Kaigetsudo (circa 1700-1750) / edited by Takahashi Seiichiro ; english text by Richard Lane"]
[null,null,"Pubbl/distr/stampa",null,"Rutland-Tokio : Charles E.Tuttle Company, 1959"]
[null,null,"Descrizione fisica",null,"88 p. : ill. ; 18 cm"]
[null,null,"Collana",null,"Kodansha Library of Japanese Art ; 13"]
[null,null,"Disciplina",null,"759.952"]
[null,null,"Locazione",null,"FLFBC"]
[null,null,"Collocazione",null,"759.952 KOD 13"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910498501603321"]
[null,null,"Autore",null,"Val Perrine"]
[null,null,"Titolo",null,"Les relations cinématographiques entre la France et la RDA : Entre camaraderie, bureaucratie et exotisme (1946-1992) / Perrine Val"]
[null,null,"Pubbl/distr/stampa",null,"Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2021"]
[null,null,"ISBN",null,"2-7574-3404-7"]
[null,null,"Descrizione fisica",null,"1 online resource (390 p.)"]
[null,null,"Soggetti",null,"Film  Radio  Television"]
[{"$nulls":4},"DEFA"]
[{"$nulls":4},"cinéma français"]
[{"$nulls":4},"guerre froide"]
[{"$nulls":4},"cinéma transnational"]
[{"$nulls":4},"passeur"]
[{"$nulls":4},"France Relations Germany (East)"]
[{"$nulls":4},"Germany (East) Relations France"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Retracer l’histoire des relations cinématographiques entre la France et la RDA de l’immédiat après-guerre jusqu’au lendemain de la chute du Mur de Berlin à partir d’un croisement inédit de sources met à jour la circulation de films et de professionnel.le.s qui façonnèrent les cinématographies des deux pays. Ces échanges s’initièrent à travers le réseau communiste et permirent notamment à Simone Signoret de tourner à plusieurs reprises dans les mythiques studios de Babelsberg avant de poursuivre sa carrière à Hollywood. Cette camaraderie s’estompe ensuite au profit d’un sentiment d’exotisme qui justifie l’engouement du public est-allemand pour des stars françaises comme Brigitte Bardot, et conduit enfin des cinéastes tels que Jean-Luc Godard ou Chris Marker à filmer la disparition de cette « autre » Allemagne. L’exploration de ces rapprochements esthétiques, politiques et culturels démontre l’importance (et aussi les limites) du rôle joué par les échanges cinématographiques entre l’Est et l’Ouest de l’Europe pendant la guerre froide.  Film exchanges between the East and West of the Iron Curtain played a decisive role in the cinema of the second half "]
[{"$nulls":4},"of the 20th century. Tracing the history of film relations between France and the GDR from an unprecedented cross-referencing of sources, from the post-war era until the fall of the Berlin Wall, reveals the circulation of films and professionals that shaped the cinema of both countries."]