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[null,"1.","Record Nr.",null,"UNINA990004627710403321"]
[null,null,"Titolo",null,"Marc'Antonio Ingegneri e la musica a Cremona nel secondo Cinquecento : atti della giornata di studi (Cremona, 27 novembre 1992) / a cura di Antonio Delfino, Maria Teresa Rosa Barezzani"]
[null,null,"Pubbl/distr/stampa",null,"Lucca : Libreria Musicale Italiana, 1994"]
[null,null,"ISBN",null,"88-7096-125-7"]
[null,null,"Descrizione fisica",null,"XVI, 469 p. ; 26cm"]
[null,null,"Collana",null,"Studi e testi musicali , Nuova serie ; 8"]
[null,null,"Disciplina",null,"780.92"]
[null,null,"Locazione",null,"FLFBC"]
[null,null,"Collocazione",null,"780.92 ING 1"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910454562703321"]
[null,null,"Autore",null,"Benito Sánchez Jesús"]
[null,null,"Titolo",null,"Uncertain mirrors [[electronic resource] ] : magical realisms in US ethnic literatures / / Jesús Benito, Ana Ma Manzanas ; Begoña Simal"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam ; ; New York, : Rodopi, 2009"]
[null,null,"ISBN",null,"1-282-59442-7"]
[{"$nulls":4},"9786612594427"]
[{"$nulls":4},"90-420-2601-4"]
[{"$nulls":4},"1-4416-1705-1"]
[null,null,"Descrizione fisica",null,"1 online resource (276 p.)"]
[null,null,"Collana",null,"Critical approaches to ethnic American literature ; ; no. 3"]
[null,null,"Disciplina",null,"810.9920693"]
[null,null,"Soggetti",null,"American literature - History and criticism"]
[{"$nulls":4},"American literature - Minority authors - History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material / Jesús Benito , Ana M Manzanas and Begoña Simal -- Louise Erdrich’s “Father’s Milk”: Magical Realism’s Oxymoronic Nature / Jesús Benito , Ana M Manzanas and Begoña Simal -- Mimesis, Realism, and Counter-realisms / Jesús Benito , Ana M Manzanas and Begoña Simal -- Romance, the Imaginary, and Magical Realism / Jesús Benito , Ana M Manzanas and Begoña Simal -- The Crisis of Representation: Post-realism, Postmodernism, Magical Realism / Jesús Benito , Ana M Manzanas and Begoña Simal -- Juxtaposed Realities: Magical Realism and/as Postcolonial Experience / Jesús Benito , Ana M Manzanas and Begoña Simal -- From Identity to Alter-entity: Trans-selving the Self in Magical Realist Narratives / Jesús Benito , Ana M Manzanas and Begoña Simal -- Of a Magical Nature: The Environmental Unconscious / Jesús Benito , Ana M Manzanas and Begoña Simal -- A Negative Sense of Reality / Jesús Benito , Ana M Manzanas and Begoña Simal -- Bibliography / Jesús Benito , Ana M Manzanas and Begoña Simal -- Index / Jesús Benito , Ana M Manzanas and Begoña Simal -- Authors / Jesús Benito , Ana M Manzanas and Begoña Simal."]
[null,null,null,"Sommario/riassunto","Uncertain Mirrors realigns magical realism within a changing critical landscape, from Aristotelian mimesis to Adorno’s concept of negative dialectics. In between, the volume traverses a vast theoretical arena, from postmodernism and postcolonialism to Lévinasian philosophy and "]
[{"$nulls":4},"eco-criticism. The volume opens and closes with dialectical instability, as it recasts the mutability of the term “mimesis” as both a “world-reflecting” and a “world-creating” mechanism. Magical realism, the authors contend, offers another stance of the possible; it also situates the reader at a hybrid aesthetic matrix inextricably linked to postcolonial theory, postmodernism, Bakhtinian theory, and quantum physics. As Uncertain Mirrors explores, magical realist texts partake of modernist exhaustion as much as of postmodernist replenishment, yet they stem from a different “location of culture” and “direction of culture;” they offer complex aesthetic artifacts that, in their recreation of alternative geographic and semiotic spaces, dislocate hegemonic texts and ideologies. Their unrealistic excess effects a breach in the totalized unity represented by 19th century realism, and plays the dissonant chord of the particular and the non-identical."]