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[null,"1.","Record Nr.",null,"UNINA990000982360403321"]
[null,null,"Autore",null,"Della Corte, Matteo <1875-1962>"]
[null,null,"Titolo",null,"VI International Conference on Corpuscolar Photography : Florence, July 19-23 1966 / M. Della Corte"]
[null,null,"Pubbl/distr/stampa",null,"Roma : CEPI, 1967"]
[null,null,"Disciplina",null,"539.74539.752"]
[null,null,"Locazione",null,"FI1"]
[null,null,"Collocazione",null,"34AI-103"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA990004265530403321"]
[null,null,"Autore",null,"Grant, Douglas"]
[null,null,"Titolo",null,"Margaret the first : a biography of Margaret Cavendish duchess of Newcastle, 1623-1673 / by Douglas Grant"]
[null,null,"Pubbl/distr/stampa",null,"London : Rupert Hart-Davis, 1957"]
[null,null,"Descrizione fisica",null,"253 p., 9 tav. ; 23 cm"]
[null,null,"Locazione",null,"FLFBC"]
[null,null,"Collocazione",null,"P.3 BR.C.2160"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910676681403321"]
[null,null,"Autore",null,"Fritz Carole"]
[null,null,"Titolo",null,"La gravure dans l’art mobilier magdalénien : Du geste à la représentation. Contribution de l’analyse microscopique / / Carole Fritz"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Éditions de la Maison des sciences de l’homme, 2021"]
[null,null,"ISBN",null,"2-7351-2624-2"]
[null,null,"Descrizione fisica",null,"1 online resource (220 p.)"]
[null,null,"Soggetti",null,"Archaeology"]
[{"$nulls":4},"apprentissage"]
[{"$nulls":4},"silex"]
[{"$nulls":4},"os"]
[{"$nulls":4},"Dordogne"]
[{"$nulls":4},"stigmate microscopique"]
[{"$nulls":4},"structure des matériaux"]
[{"$nulls":4},"bois de cervidé"]
[{"$nulls":4},"expérimentation"]
[{"$nulls":4},"chaîne technique"]
[{"$nulls":4},"série gestuelle"]
[{"$nulls":4},"construction formelle"]
[{"$nulls":4},"Pyrénées"]
[{"$nulls":4},"Gironde"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Dans cet ouvrage issu de sa thèse de doctorat, Carole Fritz présente la contribution remarquable que constitue l’observation au microscope électronique à balayage (ME8) pour l’étude de la gravure dans l’art mobilier magdalénien, démarche scientifique originale et rigoureuse ouvrant sur des voies de recherche particulièrement prometteuses.L’analyse méthodique d’une soixantaine d’objets en os et bois de cervidés issus de huit gisements du Magdalénien moyen et supérieur, répartis entre les Pyrénées, la Gironde et la Dordogne, est étayée par une iconographie inédite et très exceptionnelle. Elle conduit l’auteur à proposer de nouvelles réflexions sur la gestuelle de l’artiste "]
[{"$nulls":4},"magdalénien, sur les processus opératoires correspondant à des schémas mentaux et à des pratiques collectives, sur les modalités d’acquisition et de transmission des savoir-faire et. In fine, sur l’existence d’un phénomène artistique réfléchi au sein des sociétés de cette époque. In this work based on her doctoral thesis, Carole Fritz presents the remarkable contribution that observation with a scanning electron microscope brings to the study of engraving in Magdalenian portable art. This original and rigorous scientific approach opens up particularly promising paths of research. A corpus of sixty objects made of bone and antler, found at eight middle and upper Magdalenian sites m the area bounded by the Pyrénées, the Gironde estuary and the Dordogne river, is methodically analysed.On the basis of this analysis, backed by a previously unpublished and quite exceptional iconography, the author proposes fresh thinking on the artistic gestures of the Magdalenian period, on the operational processes corresponding to mental patterns and collective practices, on the modalities of acquisition and transmission of know-how and skills, and ultimately, on the existence of a thought-out artistic phenomenon in the societies of this epoch."]