{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":28,"n_cols":5,"rows_kept":28,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[10,2,10,3],[10,4,10,5],[11,2,11,3],[11,4,11,5],[12,2,12,3],[14,2,14,3],[15,2,15,3],[16,2,16,3],[17,2,17,3],[20,2,20,3],[21,2,21,3],[25,2,25,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA990003927270403321"]
[null,null,"Autore",null,"Mitchell, Wesley Clair <1874-1948>"]
[null,null,"Titolo",null,"Lecture notes on types of economic theory vol.II / Wesley C. Michell"]
[null,null,"Pubbl/distr/stampa",null,"New York : Augustus M. Kelley, 1949"]
[null,null,"Descrizione fisica",null,"300 pg. ; 27cm"]
[null,null,"Locazione",null,"DECTS"]
[null,null,"Collocazione",null,"B0.2/1/2"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910814208403321"]
[null,null,"Titolo",null,"Women's songs from West Africa / / edited by Thomas A. Hale and Aissata G. Sidikou"]
[null,null,"Pubbl/distr/stampa",null,"Bloomington : , : Indiana University Press, , [2014]"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-253-01021-7"]
[null,null,"Descrizione fisica",null,"1 online resource (352 p.)"]
[null,null,"Disciplina",null,"782.42082/0966"]
[null,null,"Soggetti",null,"Music - Africa, West - History and criticism"]
[{"$nulls":4},"Women musicians - Africa, West"]
[{"$nulls":4},"West Africans - Music"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction : new perspectives on women's songs and singing in West Africa / Thomas A. Hale and Aissata G. Sidikou -- Wolof women break the taboo of sex through songs / Marame Gueye -- Jola kanyalen songs from the Casamance, Senegal : from \"tradition\" to globalization / Kirsten Langeveld -- Azna deities in the songs of Taguimba Bouzou : a window on the visible and invisible / Boube Namaïwa -- Initiation and funeral songs from the Guro of Côte d'Ivoire / Ariane Deluz -- Praises performances by jalimusolu in the Gambia / Marloes Janson -- Saharan music : about a feminine modernity / Aline Tauzin -- Songs by Wolof women / Luciana Penna-Diaw -- A heroic performance by Siramori Diabate in Mali / Brahima Camara and Jan Jansen -- Women's tattooing songs from Kajoor, Senegal / George Joseph -- Drummed poems by Songhay-Zarma women of Niger / Fatima Mounkaïla -- Space, language, and identity in the palm tree / Aissata G. Sidikou -- Bambara women's songs in southern Mali / Bah Diakite -- Patriarchy in songs and poetry by Zarma women / Aissata Niandou -- Muslim Hausa women's songs / Beverly B. Mack -- Lamentation and politics in the Sahelian song / Thomas A. Hale -- Transformations in Tuareg tende singing : women's voices and local feminisms / Susan J. Rasmussen -- Income strategies of a jelimuso in Mali and France / Nienke Muurling."]
[null,null,null,"Sommario/riassunto","Exploring the origins, organization, subject matter, and performance contexts of singers and singing, Women's Songs from West Africa expands our understanding of the world of women in West Africa and "]
[{"$nulls":4},"their complex and subtle roles as verbal artists. Covering Côte d'Ivoire, the Gambia, Mali, Niger, Nigeria, Senegal, and beyond, the essays attest to the importance of women's contributions to the most widespread form of verbal art in Africa."]