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[null,"1.","Record Nr.",null,"UNINA990003364820403321"]
[null,null,"Autore",null,"Amato, Vittorio <1964- >"]
[null,null,"Titolo",null,"Gestire l'ambiente : politiche e strumenti / Vittorio Amato, Paolo Bidello"]
[null,null,"Pubbl/distr/stampa",null,"Napoli : CUEN, 1998"]
[null,null,"ISBN",null,"88-7146-397-8"]
[null,null,"Descrizione fisica",null,"276 p. ; 21 cm"]
[null,null,"Collana",null,"CUEN ecologia"]
[null,null,"Disciplina",null,"333.7"]
[null,null,"Locazione",null,"ILFGE"]
[{"$nulls":4},"DAGEA"]
[{"$nulls":4},"DECBC"]
[{"$nulls":4},"FSPBC"]
[{"$nulls":4},"DECGE"]
[null,null,"Collocazione",null,"A-It 0794"]
[{"$nulls":4},"A-It 0794bis"]
[{"$nulls":4},"62 339.5 AMA"]
[{"$nulls":4},"GEORN5B"]
[{"$nulls":4},"GEORN5C(DEP)"]
[{"$nulls":4},"GEORN5A (DEP)"]
[{"$nulls":4},"GEORN5D(SR)"]
[{"$nulls":4},"GEORN5G(SR)"]
[{"$nulls":4},"GEORN5E(SR)"]
[{"$nulls":4},"GEORN5F(DEP)"]
[{"$nulls":4},"VII C 287"]
[{"$nulls":4},"VII C 288"]
[{"$nulls":4},"048.003.AMA"]
[{"$nulls":4},"048.003.AMA.01"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910495905103321"]
[null,null,"Autore",null,"Grojnowski Daniel"]
[null,null,"Titolo",null,"Comiques : D’Alphonse Allais à Charlot / / Daniel Grojnowski"]
[null,null,"Pubbl/distr/stampa",null,"Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2020"]
[null,null,"ISBN",null,"2-7574-2687-7"]
[null,null,"Descrizione fisica",null,"1 online resource (168 p.)"]
[null,null,"Collana",null,"Objet"]
[null,null,"Soggetti",null,"Comic, The, in literature"]
[{"$nulls":4},"Comic, The, in art"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Consacré aux Comiques, cet essai aménage une promenade dans les Lettres et les Arts, d’Alphonse Allais à Marcel Duchamp, en passant par Charlot - mais aussi du politique au poétique ou de l’incongruité au sublime. Car la veine comique s’entremêle à d’autres, qui l’exaltent. Tout en confrontant les principales théories du rire, l’ouvrage interroge la teneur d’un comique pur, cher à Baudelaire. Produisant le non-sens, la mystification et toutes sortes d’effets problématiques, l’humour « moderne » profane la composante sacrée de l’Art."]